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Feb 10, 2020 · A Cultural History of Disability in the Renaissance explores configurations of bodies and minds that do not match Leonardo’s pattern, surveying the complexities of the ways disability was understood and experienced in the Renaissance, and its relationship to identity, physical labour, ageing, spirituality, justice, and sexuality.
Disability—whether physical, mental, or sensory—is widely represented in Early Modern literature, and as such it has been attracting attention from 21st-century literary scholars, who apply the theoretical and critical tools of disability studies to Renaissance narratives and literary characters.
Jan 5, 2018 · Certainly, we all know an Old Master when we see one: Van Eyck, Leonardo, Titian, Vermeer or Rubens. In three articles I shall explore how a selection of twelve Old Master artists depicted disability, and how these depictions reflected changing societal attitudes to disability.
Disability in Time and Place reveals how disabled people's lives are integral to the heritage all around us. From leper chapels built in the 1100s to protests about accessibility in the 1980s, the built environment is inextricably linked to the stories of disabled people, hidden and well-known.
Responsibility [edited by] Susan Anderson and Liam Haydon. Edition First edition. Publication London : Bloomsbury Academic, 2020. Physical description
Sep 26, 2022 · In this new volume, she models this “staring differently” as an account of how the field has emerged, effortlessly weaving recent scholarship focused on disability in the Renaissance with theories and concepts foundational to the broader Disability Studies milieu.
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The emphasis on rationality necessitated a parallel discourse on its opposite—‘reason’s Other'. In this period, representations of disabled people change in response to this new paradigm.
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