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  1. Jessica Calderwood is an artist working primarily with the mediums of metal, enamel, and marginalized crafts. She received her BFA from the Cleveland Institute of Art in 2001 and her MFA from Arizona State University in 2005, with an emphasis enameling and metal smithing.

    • Sculpture

      Sculpture - Jessica Calderwood - Home

    • Wall Work

      Wall Work - Jessica Calderwood - Home

    • Jewelry

      Jewelry - Jessica Calderwood - Home

    • PROJECTS

      PROJECTS - Jessica Calderwood - Home

    • Contact

      Contact - Jessica Calderwood - Home

    • News

      News - Jessica Calderwood - Home

  2. Jessica Calderwood, a sculptor, image maker, and jeweler, uses the medium of enameling to explore issues of gender and identity, and to make statements about everyday life.

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  3. A surprise 30th birthday present for Jessica Calder. Thank you Solly Smook artist for the commission. Solly is one of the participating artists in Solo Studios 2019

  4. Jessica Calderwood is an image-maker and sculptor that works in obscure craft media. Trained as a metalsmith and enamelist, her objects and images make statements about contemporary life.

  5. Discover and purchase Jessica Calderwood’s artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.

    • Female
    • American
    • Jessica Calderwood
    • 2019
  6. Her home for the past 32 years has been Cornwall. She loves the connection between those two places, their wild open landscapes and skies, the sense of freedom they bring. She creates large mobiles, inspired by the work of the modernist American sculptor Alexander Calder.

  7. Mar 1, 2023 · Sculptor and jewelry artist Jessica Calderwood recently took the time to answer some questions about her practice, her work, and her exhibition, Everything But The Kitchen Sink, currently on view in our Gerri Kay Exhibition Cases. Read on to learn about Jessica and how her experiences as a woman, a mother, and a human inspire her work.

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