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Sep 23, 2024 · Folk music has also been consciously incorporated into European art music compositions throughout history, especially during periods of renewal, beginning with the Renaissance. During the late 15th and 16th centuries, the literate urban classes responded more favorably to folk music than their predecessors had in the medieval period.
The capital is home to the Folk-Song Society and the English Folk Dance Society since the late 19th century (now known as the English Folk Dance and Song Society), but the most distinctive genre of London music, its many street cries, were not considered folk music by mainstream collectors and were recorded and published by figures such as Andrew White in Old London Street Cries ; and, The ...
Baring-Gould was nearing seventy when he wrote this introduc- tion-he never seems to have been a member of the Folk Song Society which had been founded a few years earlier on May 16th 1898,-having for its primary object " the collection and preservation of Folk Songs, Ballads and Tunes, and the publication.
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of ...
Jun 30, 2021 · Folk music literally means the music of the people; the traditional voices of a country or region. In the early twentieth century, enthusiasts including Cecil Sharp , Lucy Broadwood , Ralph Vaughan Williams and Percy Grainger travelled the length and breadth of the country collecting songs from working men and women; everyone from farm workers to fishermen, mothers to miners.
- Fiona Mountain
n Society of Composers, Authors, and Publishers. C. t projects include a monograph on “form in”fteenth-century music (Cambridge), and a recording of the four late cyclic fi masses of Guill. que en Wallonie).THE CAMBRIDGE HISTORY OFMUSICThe Cambridge History of Music comprises a group of reference works concerne.
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The lute, harpsichord and fiddle were some of the instruments that helped shape the sound of English folk in the 16th century, although the term "English folk" likely goes back many centuries before that era. Folk tended to be viewed in contrast of artistocratic tastes, which leaned toward classical music.
