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- When asked why Passing Through could only be seen through theatrical exhibitions, Clark stated that he wanted to keep it that way so that the film would be seen in the right format and with a communal audience.
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When Clark made a personal appearance at a retrospective of his work at The Museum of Modern Art in 2022, he was asked why Passing Through could only be seen through theatrical exhibitions. Clark stated that he wanted to keep it that way so that the film would be seen in the right format and with a communal audience.
When asked why Passing Through could only be seen through theatrical exhibitions, Clark stated that he wanted to keep it that way so that the film would be seen in the right format and with a communal audience.
- February 3, 2024
When Clark made a personal appearance at a retrospective of his work at The Museum of Modern Art in 2022, he was asked why Passing Through could only be seen through theatrical exhibitions. Clark indicated he liked keeping it that way so that the film would be seen in the right format and with a communal audience.
Mar 5, 2013 · Suburo Murakami, Passing Through, 1956 “Gutai: Splendid Playground” (Guggenheim to May 8) forces a rewrite of art history. The co-curators, Alexandra Munroe and Ming Tiampo, in their catalog essays meet the issues head-on.
Sep 27, 2023 · The origins of theatre in China can be traced back to the Shang dynasty, spanning from the 16th century BC to around 1046 BCE. Evidence from oracle bones alludes to rain dances led by shamans, and the Book of Documents cites instances of shamanistic dance and song.
In other words, theatricality is the non-textual elements of a theatrical play, that often become more important than the external language –even more so in performance art, where the text is not always present. Theatricality includes performativity, but goes beyond it.