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  1. A widow, then, especially if she inherited wealth from her dead husband, could claim an alarming degree of independence. She might, as a result, presume to choose her second husband herself, rather than marrying in accordance with her family’s wishes.

  2. The Duchess responds in shock, suggesting that she thinks her brother was using phallic imagery, but claims that he was simply talking about the tongue, which can be used to weave a tale that will convince women of anything. He calls her a “lusty widow” and then exits.

  3. What of the Duchess herself? According to Clifford Leech and James L. Calderwood, in studies of the play produced in the 1950s and 1960s, she is portrayed in accordance with the stereotypes of the highly sexed widow voiced by her brothers, and her marriage to Antonio is depicted as wilful, wanton and irresponsible (Rabkin, 1968, pp. 75–9, 93).

  4. The Duchess, a young widow and the ruler of the Italian town of Amalfi, is the intelligent, kind, virtuous sister of the Cardinal and the twin of Duke Ferdinand. Her brothers have prohibited her… read analysis of The Duchess of Malfi.

  5. John Webster. Track 4 on The Duchess of Malfi. The Cardinal and Ferdinand gang up on their sister, the Duchess, exhorting her never to marry. Ferdinand in particular is creepily fixated on his...

  6. Only I must confess I had a hope, Had she continu'd widow, to have gain'd An infinite mass of treasure by her death: And that was the main cause,—her marriage, That drew a stream of gall quite through my heart.

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  8. The Duchess's status as a wealthy widow can be regarded as both and asset and a liability. The most positive way to interpret her widowhood would be to focus on the new, special rights accorded to her upon becoming a dowager, namely, freedom from the laws of coverture, the system of laws that applied to married and never-before-married women.

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