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This work correlates to the metaphor of Hannibal, Will and Zephyr, Chloris and her transformation in Flora, from Botticelli’s The Primavera, as love develops the transformation and creates violence and horror. Since the idea of death is fundamental to perceive art in horror, that concept is present in all aspects of the show such as in
- Meagan Navarro
- Totem Pole – “Trou Normand” For sheer effort, season one’s totem pole made out of human bodies is a winner. The spectacle of it all, and the imposing height, makes a solid case for the number one spot on this list.
- Damien Hirst Tribute – “Mukōzuke” Death is a central theme in artist Damien Hirst’s works. He rose to fame with a series of dead animals dissected numerous times lengthwise, with each piece preserved in glass.
- The Human Eye – “Sakizuke” Though strange, nothing seems particularly grotesque about this tableau. Not from a distance at least. It’s so intricate and the composition so well thought out that it would earn critical praise if not for being a crime scene.
- Horse – “Su-zakana” This work of art bends the rules a little, as it’s not the murderer responsible for it. Social worker Clark Ingram is the stereotypical mean psychopath, likely the most straightforward killer on the show.
Jun 22, 2015 · As Dr. Hannibal Lecter (Mads Mikkelsen) adds onto his “memory palace” in the third season of Bryan Fuller’s daring work of art, “Hannibal” adheres to 16th century Italian missionary ...
Arguably, works of art in Hannibal constitute the key element to understanding character development and transmutation in its three seasons. This article will focus on the ramifications of making Sandro Botticelli's ever-elusive Primavera a striking aspect of Hannibal's third season.
- Cláudia Costa Pires
Putting art theory in dialogue with the Hannibal televised text, this article demonstrates how the grotesque – one of the key concepts in Gothic horror – permeates every level of the show ...
- Alberto Nahum García Martínez
Feb 6, 2021 · Hannibal would be a wholly different show without its bevy of allusions, not least of all because of how the show frames the character of Hannibal Lecter. Lecter is a highly educated and extensively read aesthete who frames himself and his “work” as part of a grand artistic tradition.
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Apr 2, 2014 · Each episode is a work of art, everything from the precision of Hannibal’s kitchen to the theatricality of the murders to the slow almost rhythmic dialogue. It creeps along slowly and surely, giving a great contrast to Graham’s evermore ragged mental state.
