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  1. Mar 10, 2022 · The layers of history, hidden just beneath the surface, only emerge as Ava allows herself to become more comfortable with Ali. This is a romance that never feels rushed, but the moments where the couple can be together are richly poetic. Ali & Ava ’s unhurried quality is what makes this film so special. This is a narrative full of surprises ...

  2. Aug 12, 2022 · There’s a lot of small-minded prejudice for Ali and Ava to deal with. Both have busy, messy lives, something Barnard suggests with restless handheld camerawork and convulsive editing. What makes the movie so affecting is the sense that, despite all this imperfection, Ali and Ava have somehow found each other at an improbably perfect moment.

  3. en.wikipedia.org › wiki › Ali_&_AvaAli & Ava - Wikipedia

    Ali & Ava. Ali & Ava is a 2021 British drama film written and directed by Clio Barnard. The film stars Adeel Akhtar and Claire Rushbrook in the lead roles. It had its world premiere at the 74th Cannes Film Festival in the Directors Fortnight section on 11 July 2021 and was released in the United Kingdom on 4 March 2022.

  4. Mar 4, 2022 · Where Ali yearns for a baby and with quiet desperation strokes an empty cot, Ava has been rocking the cradle for most of her adult life. There are no soapy discussions about whether Ali’s need ...

    • Charlotte O'sullivan
  5. Jul 11, 2021 · Ali & Ava is all set in a recognisable Clio-Barnard-iverse that’ll feel instantly familiar to anyone familiar with her work. There’s a nod or two to the hard-scrabble, horse-and-cart existence ...

    • Clio Barnard
  6. Aug 4, 2022 · By Justin Chang Film Critic. Aug. 4, 2022 12:36 PM PT. In “Ali & Ava,” a lovely surprise from English filmmaker Clio Barnard, music is more than just a soundtrack; it’s the characters ...

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  8. Jul 11, 2021 · Ava and Ali both find ways to laugh at it (Ali dubs him ‘Zorro’), while it serves as a prompt for Ava to eventually lay to rest the illusions he carries about his father. Ali & Ava (2021) This is Barnard’s most accomplished film since her debut, The Arbor, dispensing with the bitter aftertaste left by her gratuitously punishing tale of trauma, Dark River (2017).

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