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      • The films starring his “discovery,” Dietrich, are the centerpiece of the director’s career and represent perhaps the highest point achieved in cinema’s early sound era. The Devil Is a Woman is something of a translation of the Sternberg/Dietrich relationship into visual poetry and metaphor.
      www.moma.org/explore/inside_out/2010/11/16/josef-von-sternbergs-the-devil-is-a-woman/
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  2. This chapter relies on The Devil Is a Woman (1935), the last film Sternberg and Dietrich made together, to develop an account of Sternberg’s antagonistic relation to the off-screen. More than most directors, he is a maker of self-sufficient images: this informs his understanding of narrative.

  3. Apr 1, 2019 · This chapter relies on The Devil Is a Woman (1935), the last film Sternberg and Dietrich made together, to develop an account of Sternberg’s antagonistic relation to the off-screen. More than most directors, he is a maker of self-sufficient images: this informs his understanding of narrative.

  4. Jul 14, 2013 · Although it’s often the woman who holds the whip in Sternberg works, ironically, the dictatorial auteur liked to refer publicly to Dietrich (and to all actors) as insipid puppets. Tempting as it is to describe their cinematic love affair as a Svengali-Trilby-style domination, the truth remains more complex.

  5. Although The Devil Is a Woman is based on a famous novel, von Sternberg liked trivial plots, and never took up great social or political themes. This led to an inevitable rejection of von Sternberg by both critics and audiences, and The Devil Is a Woman was a failure.

  6. Although The Devil Is a Woman is based on a famous novel, von Sternberg liked trivial plots, and never took up great social or political themes. This led to an inevitable rejection of von Sternberg by both critics and audiences, and The Devil Is a Woman was a failure.

  7. Jun 24, 2018 · The Devil Is a Woman was underappreciated by almost everyone other than Dietrich, who loved the way she looked, especially in her first appearance, gorgeously assured, gamely flirting behind a scrim of balloons that von Sternberg himself exploded with BBs, and subsequently sporting an unrivaled variety of spit curls.

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