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- They are simply a fixture of the unidentified, idyllic, rural environment in which the poem is set, and seem to exist only in order to tempt young women into buying and eating their fruit.
www.litcharts.com/lit/goblin-market/summary-and-analysis
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In the first lines of ‘Goblin Market,’ the poet describes the calls and cries of the goblin men as they try to attract customers to buy their fruits. These fruits are inherently magical, something that Lizzie, the wiser sister, knows they should stay away from.
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Still, they continue to cry out “come buy, come buy.” The goblins’ slyness suggests that they intend to trick or deceive Laura in some way, while the word “leer,” meaning to look at in an unpleasant and lascivious way, emphasizes that their trick has a sexual element.
3 days ago · “Come buy, come buy,” as the goblins repeatedly urge the sisters to purchase, reflects the incessant call of consumerism. Laura’s deteriorating state after indulging in the fruits represents the destructive effects of material excess.
BY VICTOR ROMAN MENDOZA. Almost a century and a half after its 1862 publication, Christina Rossetti's canonical poem Goblin Market continues to captivate its critical yet ambivalent assessment of the overlapping spheres Victorian economics and sexual politics despite its deceptively form.
Jun 29, 2024 · Laura intently listens for the goblins' cry of "Come buy, come buy," but she cannot hear or see a single goblin. Lizzie, on the other hand, can hear and see the goblins. She refuses to look in their direction and begs Laura to come home with her before it gets too dark, when they could become lost.
Dec 31, 2012 · ‘Come buy, come buy,’ was still their cry. Laura stared but did not stir, Longed but had no money: The whisk-tailed merchant bade her taste In tones as smooth as honey, The cat-faced purr’d, The rat-faced spoke a word Of welcome, and the snail-paced even was heard; One parrot-voiced and jolly
Feb 17, 2021 · Christina Rossetti claimed that Goblin Market was extemporized in a single day. She also called it a children’s poem, and for her it probably was since, like her romantic antecedents, she saw childhood as a time of unparalleled intensity and experience.
