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Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint.
- When Was The Neoclassic Music Era?
- What Was The Neoclassic Style in Music?
- New Musical Forms in Neoclassicism
- Order in The Neoclassic Era
- Notable Composers of The Neoclassic Era
- Instrumentation
- Summary
After the expressionist period’schaotic emotional dissonance, composers sought to reconcile music with traditional forms. The 20-year interwar period from the end of World War I in 1918 to the beginning of World War II in 1939 provided a backdrop for this renewed call to order and traditional musical theories. Neoclassicism was an effort to return ...
Musicians working during the neoclassical period often used formal compositional techniques that reflected a desire for order and control. They also drew on past musical styles, including Baroque forms like fugues and techniques such as counterpointto create their pieces. Neoclassicism emerged as new ideas about how music should be composed gained ...
Neoclassicism branched out into two distinct stylistic elements, French and German. The two branches each created unique musical forms and adaptations of classic and baroque musical forms and interpretations. At this time, neoclassicism in music was more of a trend than a proper musical movement. Neoclassical distinction refers to any style influen...
Neoclassical music of the 20th century emphasized orderliness and structure. In addition, the music was often heavily influenced by early classical forms. The end of World War I inspired a period where artists and composers sought new styles different from those that had become stale over time. Musical forms such as baroque dances became popular ag...
During the 20th century, the neoclassic era started in Europe and quickly spread worldwide to such countries as United States, Russia, etc. It was a time when music embraced a Greek or Roman influence as composers attempted to break from traditional tonality by using non-Western scales. Neoclassicism wasn’t about specific forms but rather freedom f...
In instrumentation, neoclassicism found a natural expression with instruments from the 18th century. Wind instruments like the clarinet and brass horns often substituted for oboes, while string ensembles used lighter gauge strings to achieve period-appropriate texture as opposed to modern, thicker violin/viola strings that produce greater volume bu...
Neoclassicism is a vital part of musical history because it reflected changing social values and political climates and how musicians wanted to share their views through artistry. The neoclassical movement was a strong cultural force that changed Western art, literature, architecture, and society as a whole into something more individualistic than ...
In addition to Stravinsky and Hindemith, this historical awareness appears in composers as diverse as Orff, Prokofiev, and the German church music revival of the early twentieth century. Keywords: neoclassicism, Stravinsky, Hindemith, Orff, Distler, Pepping, absolute music.
Dmitri Shostakovich: A Covert Challenger of Authority. While Beethoven, Berlioz, and Stravinsky rebelled against musical tradition, Dmitri Shostakovich found himself rebelling against a far more dangerous authority: the Soviet government. In a regime where artists were expected to conform to strict ideological guidelines—producing art that ...
Jul 4, 2024 · Neoclassical music has had a lasting impact on later composers, popular music, and film music. In the contemporary era, neoclassical music continues to be a vital and influential genre. Composers have built on the foundations of neoclassicism, blending it with modern styles and techniques.
There are signs of a coming reconciliation between composers and public, and such a reconciliation has been due largely to Hindemith and the modern German school.
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Feb 4, 2010 · For instance, ‘neo-classic’ now begins to apply to all of the between-the-war composers (not that notion of the neo-classic composer as someone who rifles his predecessors and each other and then arranges the theft in a new ‘style’).
