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  1. Mar 16, 2014 · The 1889 version of his Symphony no. 3 in D minor that the LPO played this evening was the fruit of this collaboration, and it is this version of the symphony that made its way in Bruckner’s last years and throughout most of the 20th century.

  2. Skrowaczewski, like many eminent Bruckner conductors before him, chooses the third version of this score, dating from 1889. In this symphony the process of revision was in the main a process of cutting, caused by the tribulations of its performing history.

  3. The ending is absolutely tremendous and it is easy to see why so many conductors have been attracted to the Third. This recording from Skrowaczewski and the LPO is highly recommended. They make a powerful case for the 1889 version, which can sound terrific in the hands of a master

  4. Mar 16, 2014 · Benjamin Beilman's radiant Mendelssohn preceded Skrowaczewski and the LPO making a magnificent case for Bruckner's third version of his Symphony no. 3 in D minor at the Souhthbank Centre, London.

  5. Nézet-Séguin continues to perform the original version of the Third Symphony and in 2014 released a studio recording with the Orchestre Métropolitain on Atma Classique. The first version was completed in 1873, but Bruckner had severe problems in obtaining a first performance, with difficulties arising at every turn.

  6. To Bruckner's delight, Wagner chose the Third, and Bruckner dedicated the symphony to the master he highly respected. After arriving home, Bruckner continued to work on the symphony, finishing the finale on 31 December 1873.

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  8. When the disc was evaluated recently on BBC Radio 3’s CD Review the presenter, Andrew McGregor, said that to his ears the Skrowaczewski edition seems pretty similar to the Nowak Edition of Bruckner’s 1889 version of the symphony with its cut finale.

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