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  1. Cayabyab only wrote at least three songs in the 2010s, due to focusing on promoting Original Pilipino Music for most of the period. In 2020, due to the idle time caused by the COVID-19 pandemic, Cayabyab was able to write at least ten songs in 2020 alone, two of which was made available in Spotify.

  2. Jan 17, 2019 · Cayabyab decided to write music in the late 70’s, that age that charted the birth of OPM and Manila Sound—and the rebirth of Ryan Cayabyab from musical director, pianist, and arranger, into Ryan Cayabyab, composer.

    • Sarge Lacuesta
    • Why did Ryan Cayabyab write music?1
    • Why did Ryan Cayabyab write music?2
    • Why did Ryan Cayabyab write music?3
    • Why did Ryan Cayabyab write music?4
    • Why did Ryan Cayabyab write music?5
  3. Apr 15, 2022 · MANILA -- In 1983, Ryan Cayabyab wrote “Misa” for his graduation recital, performed and recorded originally by the UP Concert Chorus with Latin lyrics. “I grew up reciting the Latin mass,” Cayabyab told ABS-CBN News.

  4. Aug 4, 2019 · After talking to his father, who said he was old enough to make his decisions, Cayabyab changed his concentration and pursued music at the University of the Philippines, where he got to be...

  5. National Artist for Music Ryan Cayabyab On Hitting The Right Notes Towards His Legacy | Tatler Asia. “The Maestro” made every Filipino fall in love with original Pinoy music, or OPM, through the songs he composed, musicians he mentored and shows he directed.

  6. Oct 19, 2016 · Ryan was first taught music by his mother, Celerina Venson Pujante. He lived in Area I, in a sawali (woven bamboo strips) house, with a silong (crawlspace). His mother was an opera singer, who taught at the UP College of Music, with 10 lady boarders learning music who stayed with them.

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  8. Nov 21, 2020 · Although a pretension is a bit swig to say, it was behind in 1983 when Cayabyab stoical “Kumukutikutitap” for a musical, “Bituin (The Star of Bethlehem),” created by Jose Javier Reyes. The strain was to be used as a foe square in a fantastic foe of choirs in a company.

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