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      • Manet continued to use Meurent as a model until the early 1870s, when she began taking art classes. Because she was drawn to the more academic style of painting that Manet opposed, Meurent and Manet became estranged.
      en.wikipedia.org/wiki/Victorine_Meurent
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  2. During the 1860s Edouard Manet was inspired by the sight of a woman with a guitar emerging from a disreputable café. The female musician refused to pose for the picture, so Manet employed a...

  3. Manet continued to use Meurent as a model until the early 1870s, when she began taking art classes. Because she was drawn to the more academic style of painting that Manet opposed, Meurent and Manet became estranged. [ 9 ]

  4. Sep 13, 2016 · However, shortly after Édouard Manet’s death in 1883, Victorine wrote to his widow, recalling to Madame Manet her late husband’s promise to forward her with some money if he succeeded in selling the paintings for which she had posed.

    • Hazel Smith
  5. Victorine first modeled for Manet in The Street Singer (1862), but it was their next collaboration that would scandalize Paris. In 1863, Manet unveiled Luncheon on the Grass (Le Déjeuner sur l’Herbe), a painting that featured a fully clothed man and a nude woman—Victorine—picnicking in a park. The painting shocked both critics and the ...

  6. Mar 31, 2020 · When I first encountered Victorine Meurent, it was her as Olympia in Édouard Manet’s iconic painting, exhibited in Paris in 1865. This work scandalized both the public and the art community with its depiction of a defiant nude presumed to be a sex worker.

    • Why did Meurent keep posing for Manet?1
    • Why did Meurent keep posing for Manet?2
    • Why did Meurent keep posing for Manet?3
    • Why did Meurent keep posing for Manet?4
    • Why did Meurent keep posing for Manet?5
  7. Aug 10, 2023 · After Victorine Meurent posed for Manet’s “Olympia,” she took art classes and painted this fascinating self-portrait.

  8. This is the first work in which Manet displays his strong and rapid touch and also his first portrait of the model who was to pose for him regularly until 1875 - for Luncheon on the Grass, Olympia, and Gare Saint-Lazare.

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