Search results
Jun 10, 2024 · Working on a soundstage made it easier for Elswit to light the scene transition, which involved him turning on practicals and making the light come through the windows. When Tom carries...
- Jazz Tangcay
Jun 19, 2024 · Elswit’s primary lenses for the production were Panavision VA primes, supplemented with select Primo 70 and Ultra Speed focal lengths as well as Primo 70 and prototype VA zooms. Here, in his own words, the cinematographer details the creative collaborations that brought Ripley to the screen.
Jun 18, 2024 · Now, Variety sat down with cinematographer Robert Elswit and pulled back the curtain on the stunning visuals that defined the limited series. Elswit is known for his work on There Will Be Blood and Nightcrawler, and his distinct style is once again on full display in this adaptation of Patricia Highsmith's iconic novel.
Apr 10, 2024 · The quality of the light was also key to achieving the right effect. Elswit said, “[W]e wanted hard light – something that didn’t look that real, the way films were lit 60, 70 years ago.” That meant LED panels were largely out for this production, instead deploying fresnel lenses and HMIs.
Jun 18, 2024 · Elswit is known for his work on There Will Be Blood and Nightcrawler, and his distinct style is once again on full display in this adaptation of Patricia Highsmith’s iconic novel. Check out the video of him below.
Sep 3, 2022 · Mark Dillon. Robert Elswit, ASC characterizes himself as a traditional director of photography drawn to like-minded filmmakers. “Most directors I work with don’t want to think about their movies playing on someone’s iPhone, iPad or small TV set,” he says.
People also ask
Why did Elswit work on a soundstage?
Who is Robert Elswit?
Who did Elswit work with on 'King Richard'?
Who is ASC director Robert Elswit?
Jun 8, 2016 · Robert Elswit's affinity for long takes, a moving camera, and anamorphic lenses give him a unique style that has made films like Boogie Nights, There Will Be Blood, and Nightcrawler so spectacular to watch. Sareesh Sudhakaran of wolfcrow delves into the techniques Elswit uses in his work, including camera movement, lighting, and more.
