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      • Charles White’s commitment to creating powerful images of African Americans—what his gallerist and, later, White himself described as “images of dignity”—was unwavering over the course of his four-decade career. White believed that art had a role to play in changing the world: “Art must be an integral part of the struggle.
      www.moma.org/artists/6339
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  2. Charles White’s commitment to creating powerful images of African Americans—what his gallerist and, later, White himself described as “images of dignity”—was unwavering over the course of his four-decade career.

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  3. Aug 24, 2019 · Charles White’s commitment to creating powerful images of African Americans—what his gallerist and, later, White himself described as “images of dignity”—was unwavering over the course of his four-decade career.

  4. Oct 11, 2018 · White’s figures grew more realistic in the 1950s, even as the backgrounds of his paintings by and large dissolved away, leading to some of the 20th century’s most monumental images of African-Americans.

  5. Adept in multiple artistic mediums, Charles White created bold, large-scale paintings and drawings that magnified the power of the black figure, communicating universal human themes while also focusing attention on the lives of African Americans and the struggle for equality.

  6. Charles Wilbert White, Jr. (April 2, 1918 – October 3, 1979) was an American artist known for his chronicling of African American related subjects in paintings, drawings, lithographs, and murals. White's lifelong commitment to chronicling the triumphs and struggles of his community in representational form cemented him as one of the most well ...

  7. In about 1938 he joined the Works Progress Administration (WPA) as an easel painter and went on to create a mural of five notable African Americans for the Chicago Public Library. Between 1942 and 1943 he received a Julius Rosenwald Fellowship to study at the Art Students League in New York City, which culminated in his painting a mural about ...

  8. In New York in the 1940s and early 1950s, White showed his work at the progressive ACA Gallery and was a prominent member of African American and leftist artist communities. White moved to Southern California in 1956, and his career flourished as he embraced drawing and printmaking more fully, pushing at the boundaries of his media while ...