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- John McClane : Because there's no body else to do it right now, that's why. Believe me, if there were somebody else to do it, I'd let them do it, but there's not. So we're doing it.
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In the film, NYPD Detective John McClane ( Bruce Willis) attempts to stop a cyber-terrorist ( Timothy Olyphant) who hacks into government and commercial computers across the United States with the goal of starting a "fire sale" cyber attack that would disable key elements of the nation's infrastructure.
Jun 27, 2007 · A lot has happened in the 12 years since Bruce Willis yippee-kai-yay-ed in "Die Hard With a Vengeance" with a glowering Samuel L. Jackson in tow. During that time Mr. Willis's star has expanded ...
- Len Wiseman
Apr 27, 2022 · The writer of Live Free or Die Hard discusses what it was like to write dialogue for Bruce Willis. The iconic actor Willis has appeared in over 130 projects, showcasing his range in projects including the 1994 Tarantino flick Pulp Fiction, the 1992 Robert Zemeckis comedy Death Becomes Her, the 1999 horror classic The Sixth Sense, and the 1980s sitcom Moonlighting, for which he was nominated ...
Jul 3, 2007 · An Old-Fashioned Movie About a New Form of Torture: Being Disconnected. Justin Long and Bruce Willis in the thriller “Live Free or Die Hard.” Frank Masi/20th Century Fox. By Caryn...
May 23, 2007 · May 23, 2007. LOS ANGELES, May 22 — When last seen, in 1995, the New York super-cop John McClane, alter ego of the actor Bruce Willis, was performing barehanded bomb disposal on a...
- Michael Cieply
Jul 22, 2020 · Although I do have vaguely fond memories of 2007’s “Live Free or Die Hard,” in which Willis’ now chrome-domed McClane did seem at least intermittently relatable in a grouchy, getting-too ...
Jun 28, 2007 · It's been said by our friends, and by our foes: Movies plus cars equals America. Well, car stunts plus a star like Bruce Willis equals a good action movie. A scene like the one in "Live Free or Die Hard" lets crazy-gifted stunt drivers bend the laws of physics, geometry and adrenaline to create a moviegoer's contact high.
