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As for why there are so few masterpieces: as Stein puts it, "Everything is against them." "There are so few of them because mostly people live in identity and memory that is when they think."
- James Pollock
There are so few of them because mostly people live in identity and memory that is when they think. They know they are they because their little dog knows them, and so they are not an entity but an identity. And being so memory is necessary to make them exist and so they cannot create master-pieces.
Mar 30, 2010 · Includes bibliographical references. Another garland for Gertrude Stein, foreword by R. B. Haas.--Composition as explanation.--Preciosilla.--A saint in seven.--Sitwell Edith Sitwell.--Jean Cocteau.--An American and France.--Identity, a poem.--What are master-pieces and why are there so few of them.--Afterword, by R. B. Haas.
In the essay, “What Are Master-pieces and Why Are There So Few of Them” by Gertrude Stein, the concept discussed is why there are so few masterpieces and original ideas as a result of ideas becoming so interwoven that they are no longer inimitable and therefore not true masterpieces.
Jan 1, 1985 · The second essay, "An American and France," is only slightly less muddled, as is the third essay, "What are Masterpieces and Why Are There So Few of Them." In each case, Stein takes a rather simple, not particularly unique concept (really more opinion) and complicates it to the point of incomprehensible mutterings.
lecture 'What are Master-Pieces and Why Are There so Few of Them'. In this theory, a masterpiece is a text which deals with the world but bears no necessary relationship to it; it aims for a textual 'purity' in which text is an 'entity' or unnecessary product (in terms of its relation to the business of living) of the human mind; all other
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Jun 2, 2015 · “What Are Master-Pieces, and Why Are There So Few of Them?” is a straightforward title for a lecture that Stein first delivered in 1936 that is, ahem, far from straightforward. In this...
