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Indian. Notable works. Banjaranama (Chronicle of the Nomad) Nazeer Akbarabadi (born Wali Muhammad; 1735 – 1830) was an 18th-century Indian poet known as "Father of Nazm", who wrote Urdu ghazals and nazms under the pen name (takhallus) "Nazeer", most remembered for his poems like Banjaranama (Chronicle of the Nomad), a satire. [1][2][3]
- suna hai log use aankh bhar ke dekhte hain. Ahmad Faraz.
- ranjish hi sahi dil hi dukhane ke liye aa. Ahmad Faraz.
- ab ke hum bichhDe to shayad kabhi KHwabon mein milen. Ahmad Faraz.
- donon jahan teri mohabbat mein haar ke. Faiz Ahmad Faiz.
In the 15th century, five Deccan kingdoms became independent. Minai explains, “Golconda (modern-day Hyderabad) and Ahmednagar were great patrons of Urdu poetry. Quli Qutub Shah, a ruler of Golconda, wrote one of the first established Urdu ghazals. He used the language Dakhni, a variant of Urdu, with unique words and grammar.”
The very one for whom I die, life too does bestow. mohabbat mein nahin hai farq jine aur marne ka. usi ko dekh kar jite hain jis kafir pe dam nikle. In love there is no difference 'tween life and death do know. The very one for whom I die, life too does bestow.
- Amir Khusrau
- Strands of Hindavi
- Hindu Ghazal Writers
- Love in Classical Ghazals
- Creative Imagination
The book primarily concentrates on the “cross-cultural roots of the Urdu ghazal”. From the 11th century C.E., Islamic culture and Hindu culture commingled in the Indian territories, and the resulting composite culture captivated millions of people down the centuries. Amir Khusrau (1253-1325), disciple of the Chisti Sufi saint of Delhi, Hazrat Nizam...
Three main strands of the Urdu language, past its stage as Hindavi, determined by geographical and demographical factors at its earliest stage of development, can be observed: Dakhani (of the Deccan), Dehlavi (of Delhi) and Lakhnavi (of Lucknow), not necessarily in a linear development, but with inevitable overlaps in time. The earliest Urdu poets ...
Incidentally, Narang places on record the contribution of Hindus in the development of the common language of the composite culture, known by different names such as Hindavi, Rekhta, Braj and Khari. Kayasth Hindus, who served in royal courts, were excellent in writing in Persian. He quotes Syed Abid Husain from hisHindustani Qaumiyat Aur Qaumi Tahz...
In analysing love in the classical ghazal, Narang delineates four categories. In the first, it is pure and simple love for the Absolute. Only the great Sufi masters are capable of it. He names Kwaja Mir Dard, Siraj Aurangabadi, Shah Niaz Barelvi, Abdul Alim Aasi, and perhaps Asghar Gondavi and Jigar Morabadi in this exalted league. In the second, t...
The concept of beauty and elegance (husn o jamaal ) in the Urdu ghazal is also a product of India’s creative imagination, which is based on the freedom of the mind. There is a misconception that the “beloved” in the Urdu ghazal was borrowed from the Persian tradition, that ofmazhar orsaqiso as to avoid inclusion of women which was against Islam’s t...
3 days ago · Ghulam Muhammad Qasir (Urdu: غلام محمد قاصر 4 September 1944 – 20 February 1999) was a Pakistani Urdu poet. [1] He was considered to be one of the finest modern poets of Urdu Ghazal. [ 2 ] [ 3 ] Ahmad Nadeem Qasmi first introduced him in his famous literary journal "Fanoon" in 1977. [ 4 ]
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19 February 2008. (2008-02-19) (aged 73–74) Jalandhar, Punjab, India. Occupation (s) Poet, lyricist. Sudarshan Kamra (1934 – 19 February 2008), better known by his takhallus Sudarshan Faakir, was an Indian Urdu poet and lyricist. [1] His ghazals and nazms were sung by Begum Akhtar and Jagjit Singh. He has his son Manav Faakir [2] as a ...
