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Hester Bateman (bap. 1708 – 16 September 1794 [1]) was an English silversmith, renowned for her high quality flatware and ornamental silverware. A craftswoman working within the family business, she was succeeded in turn by her sons, daughter-in-law, grandson and great-grandson. The Bateman family silversmithing company lasted until the ...
Hester died in 1794, when she was living in the Parish of St. Andrew when she lived with her daughter Letitia. Her sons PETER BATEMAN and JOHN BATEMAN registered their mark in 1790. This partnership was of short duration as Jonathan, who married Ann Downlinff, died in 1791. In 1791 the mark was changed to PETER and ANN BATEMAN.
Peter and Ann Bateman were prominent silversmiths in the late 18th century, continuing the legacy of the renowned Bateman family. Ann was the widow of Jonathan Bateman, while Peter was the son of Hester Bateman, one of the most celebrated female silversmiths of the 18th century, whose works remain highly valued today.
Jun 8, 2024 · Hester Bateman. 1708 — 1794. The most famous woman silversmith, Bateman was the widow of John Bateman. After his death in 1760, she took over his London-based metalwork business and transformed it into one of the most successful and prolific silversmithing workshops in London. Hester and her sons were known for their bright-cut engraving ...
Jun 16, 2021 · Hester Bateman was born Hester Needham to Elizabeth and John Needham in 1709 in London. Little is known about her early years other than her family were poor and she received no formal education, but Hester would become a renowned silversmith and businesswoman. Between 1730–32 Hester married John Bateman, who worked in gold and silver, and is ...
There were certain items that she didn’t make such as candlesticks and candelabra - although I think one or two pairs are known! The Bateman style is known for its bright-cut engraving, piercing and beading around edges. Hester retired in 1790 and her sons continued the business.
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Apr 9, 2020 · Bateman’s designs reflect the fashionable Neoclassical taste of the late eighteenth century: she used ovals and Classical vase and helmet shapes, along with bright cutting (punching), engraving and pierced ornamentation of foliage, festoons, medallions, shells and diaper patterns. Many works were also edged with minute beading and surmounted ...
