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    • American playwright, novelist, actor and film director

      • Writer, director, actor William Harrison Gunn (July 15, 1934 – April 5, 1989) was an American playwright, novelist, actor and film director.
      en.wikipedia.org/wiki/Bill_Gunn_(writer)
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  2. William Harrison Gunn (July 15, 1934 – April 5, 1989) was an American playwright, novelist, actor and film director. His 1973 cult classic horror film Ganja & Hess was chosen as one of ten best American films of the decade at the Cannes Film Festival , 1973.

  3. Apr 28, 2016 · Bill Gunn was born in 1934 and raised in Philadelphia by his equally gifted parents, William Harrison, Sr., a musician and poet, and Louise Alexander, an actress who directed a local theater company. Gunn began his career as a theater and film actor, making his Broadway debut in the 1954 production of The Immoralist starring James Dean, and ...

  4. William Harrison Gunn (July 15, 1934 – April 5, 1989) was an American playwright, novelist, actor and film director. His 1973 cult classic horror film Ganja & Hess was chosen as one of ten best American films of the decade at the Cannes Film Festival , 1973.

  5. Bill Gunn, Black artist, transforms the symbols and the language that spurn us into action. It is the individual’s choice to listen. Whatever she does, with or without her, Gunn’s poetry continues to slide on, soaking in blue lilies and wet cherries, rambling ever forward.

  6. William (Bill) Harrison Gunn was an African American playwright, novelist, screenwriter, filmmaker, and actor who was active from the mid-1950s until his death in 1989.

  7. William (Bill) Harrison Gunn was an African-American playwright, novelist, screenwriter, filmmaker, and actor who was active from the mid-1950s until his death in 1989.

  8. William Harrison Gunn (July 15, 1934 – April 5, 1989) was an American writer, actor, and film director. Underappreciated in his lifetime, he would be lauded by critics and creators, such as Spike Lee and Richard Brody, who called him " a visionary filmmaker left on the sidelines of the most ostensibly liberated period of American filmmaking.

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