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Gian Lorenzo (or Gianlorenzo) Bernini (UK: / b ɛər ˈ n iː n i /, US: / b ər ˈ-/; Italian: [ˈdʒan loˈrɛntso berˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect.
Aug 26, 2024 · Gian Lorenzo Bernini (born December 7, 1598, Naples, Kingdom of Naples [Italy]—died November 28, 1680, Rome, Papal States) was an Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well.
- Howard Hibbard
- Gian Lorenzo Bernini was an Italian artist, arguably the greatest sculptor of the 17th century, known for having developed the Baroque style of scu...
- Italian artist Gian Lorenzo Bernini was born on December 7, 1598, in Naples, in the Kingdom of Naples (Italy).
- The greatest single example of Gian Lorenzo Bernini’s mature art is the Cornaro Chapel in Santa Maria della Vittoria, in Rome. The chapel’s focal p...
Summary of Gian Lorenzo Bernini. Passion, above all else, ruled Italian sculptor and architect Gian Lorenzo Bernini. His extreme religious piety combined with a lifelong study of the sculptural form led to the introduction of a dynamic and exuberant style, focused on emotional expressionism, which perfectly embodied the Baroque period.
- Italian
- November 28, 1680
- Naples
Jul 17, 2020 · Gian Lorenzo Bernini is remembered as one of the greatest sculptors and artists of the 17th century. Utilizing Christian subjects as well as elements of ancient Greco-Roman culture and mythology, he pioneered Baroque sculpture and art in Italy.
Gian Lorenzo Bernini. 1598 - 1680. Bernini was the dominant artist of 17th-century Rome. Under successive popes he became virtual dictator of the arts. He was responsible for town planning schemes as well as for church buildings and interiors, including St Peter's in the Vatican.
Gian Lorenzo Bernini dominated the Roman art world of the seventeenth century, flourishing under the patronage of its cardinals and popes while also challenging contemporary artistic traditions. His sculptural and architectural projects reveal an innovative interpretation of subjects, use of forms, and combination of media.
From his early days as a child prodigy until his death in 1680 at the age of 82, Gian Lorenzo Bernini remained unchallenged as the foremost sculptor of his time. His dynamic and exuberant style perfectly embodies the baroque period, of which he has become the symbol.
