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LeTang taught the Hines brothers back in the 1950s and taught Glover for a little while before having him work for "Black and Blue," a tap revue in Paris in 1987. Many legendary tappers taught Glover such as LeTang, the Hines brothers, Jimmy Slyde , Dianne Walker , Chuck Green , Lon Chaney (Isaiah Chaneyfield), Honi Coles , Sammy Davis Jr. , Buster Brown , Howard Sims , and Arthur Duncan .
Oct 22, 1995 · October 22, 1995. Savion Glover, New York City, September 27, 1995. Photograph by Richard Avedon for The New Yorker. On a balmy September night in 1994, at the end of a thrilling gig, the tap ...
Jul 31, 2020 · Moving forward, in 2001 Glover made an appearance in Bojangles, the story of Bill “Bojangles” Robinson, and in 2006 became the sound for the tap dancing penguin “Mumble” in Happy Feet. After a ten year absence from the stage, in 2016 Glover returned to Broadway to choreograph Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed , awarding him with yet ...
Apr 4, 2000 · April 4, 2000 / 12:44 PM EDT / CBS. When Yvette Glover's youngest child was born, she believed his life would have a special purpose. She considered naming him "Savior" but decided on "Savion ...
- CBS News
From 1991 to 1994, he starred in the Broadway production of Jelly's Last Jam and taught children's tap classes wherever he traveled. From 1991 to 1995 he was a regular guest on Sesame Street . Glover's greatest accomplishment has been his involvement in the original Bring in 'da Noise, Bring in 'da Funk , which began late in 1995.
Savion Glover (born November 19, 1973, Newark, New Jersey, U.S.) is an American dancer and choreographer who became known for his unique pounding style of tap dancing, called “hitting.”. He brought renewed interest in dance, particularly among youths and minorities. As a young child, Glover displayed an affinity for rhythms, and at age four ...
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Close Savion Glover, Savion: My Life in Tap (New York, NY: William Morrow and Company, 2000) pp.33. The Hoofer’s Line enacts the interplay between tradition and the individual talent, the passing down of tap and its development. For Glover, it is also a ritual of remembrance.
