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4 days ago · Salvator Mundi, painting attributed to Leonardo da Vinci that was completed about 1500. It became the most expensive work of art ever sold when it was auctioned at Christie’s, New York, on November 15, 2017, for $450.3 million. The unprecedented sum for a heavily restored painting with questionable.
- Why Is the Salvator Mundi Called the World’s Most ...
Hence, there are no confirmed records of the nearly...
- Why Is the Salvator Mundi Called the World’s Most ...
Joanne Snow-Smith argued that Leonardo painted the Salvator Mundi for Louis XII of France and his consort, Anne of Brittany. [16] This view was echoed by the British Royal Collection in their 2018 exhibition Leonardo da Vinci: A Life in Drawing and is supported by the early French provenance of many of the copies of the Salvator Mundi. [4] [5]
One painting of the subject, simply titled Salvator Mundi, was attributed or reattributed to Leonardo da Vinci in 2011. This painting disappeared from 1763 until 1900 when it was acquired from Sir Charles Robinson.
Aug 7, 2018 · Was Salvator Mundi, the painting that sold for a sensational $450 million at Christie’s last year, misattributed to Leonardo da Vinci? That’s what Oxford art historian Matthew Landrus argues ...
Leonardo paints Salvator Mundi possibly for King Louis XII of France and his consort, Anne of Brittany. It is most likely commissioned soon after the conquests of Milan and Genoa. The 26-inch haunting oil-on-panel painting depicts a half-length figure of Christ as Savior of the World, facing front and dressed in Renaissance-era robes.
Nov 3, 2017 · Leonardo paints Salvator Mundi possibly for King Louis XII of France and his consort, Anne of Brittany. It is most likely commissioned soon after the conquests of Milan and Genoa. Expert opinion varies slightly on the dating.
Hence, there are no confirmed records of the nearly half-billion-dollar Salvator Mundi painting until 1900, when it was acquired by Sir John Charles Robinson for the collection of Sir Francis Cook in London. That means the provenance has a nearly 400-year gap between the painting’s supposed creation and its appearance on the market.
