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Loy Arcenas
- Directed by Loy Arcenas, Ang Larawan tells the story of sisters Paula (Rachel Alejandro) and Candida (Joanna Ampil) who find themselves struggling financially after their father, high-profile painter Don Lorenzo Marasigan, fell ill and stopped producing art.
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Ang Larawan, internationally released as The Portrait (Japanese: ある肖像画, Hepburn: Aru Shōzō-ga), is a 2017 Philippine musical film directed by Loy Arcenas. Based on the 1997 stage play, Larawan which in turn was based on the 1950 literary play A Portrait of the Artist as Filipino by National Artist Nick Joaquin, the film takes place ...
Sep 3, 2017 · Ang Larawan is set in Intramuros before WWII, focusing on the plight of unmarried sisters Candida and Paula Marasigan. They are the daughters of high-profile painter Don Lorenzo Marasigan.
Jan 8, 2018 · Winning Best Picture and several other awards during the MMFF Gabi ng Parangal, the film is based on the quintessential Nick Joaquin play A Portrait of an Artist as Filipino, scored by the acclaimed Ryan Cayabyab, and a libretto by National Artist Rolando Tinio.
Dec 23, 2017 · The film's warm reception at Japan’s Tokyo Film Festival, where it premiered in October, backs up its top ratings from the CEB. “The Japanese audience sat through our whole film until the very last credit was shown,” says executive producer and actor Celeste Legaspi.
Oct 28, 2018 · “Ang Larawan ” — The film is all about the story of two Marasigan sisters, Candida Marasigan and Paula Marasigan owning a painting created by their father, Don Lorenzo Marasigan. It is based from...
Nov 10, 2017 · It began with a 1952 radio performance led by two National Artists, Daisy Hontiveros-Avellana and Lamberto V. Avellana. It was then staged multiple times by various theater companies, both in English and Filipino, and was notably adapted into a movie in 1965, also directed by Avellana.
Dec 9, 2017 · Based on the Nick Joaquin play “A Portrait of the Artist as Filipino,” the Metro Manila Film Festival entry “Ang Larawan” is a musical that stays true to Joaquin’s play, a sort of call-to-arms...
