Search results
La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with Umberto Eco appearing in a cameo). [1]
Jan 20, 2021 · Yet it was another Italian director, Michelangelo Antonioni, who more critically dramatised this distinctly urban pessimism, notably over the course of a trio of films known as the ‘alienation trilogy’.
La Notte: Directed by Michelangelo Antonioni. With Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki. A day in the life of an unfaithful married couple and their steadily deteriorating relationship.
- (24K)
- Drama
- Michelangelo Antonioni
- 1962-02-19
La Notte is a 1961 Italian drama directed by Michelangelo Antonioni. The film stars Marcello Mastroianni and Jeanne Moreau as a couple experiencing a decline in their relationship amidst a backdrop of social and moral decay. Encompassing a single day and night in Milan, the story explores themes of loneliness and existential disillusionment, highlighting the characters' search for meaning in a ...
Conventional plot summaries of the film routinely insist that La notte centres around a male author, Giovanni Pontano (Marcello Mastroianni), his uncertain career, and his failing relationship with his wife, Lidia (Jeanne Moreau), as well as his flirtations with beautiful socialite Valentina Gherardini (Monica Vitti).
La notte. This psychologically acute, visually striking modernist work was director Michelangelo Antonioni’s follow-up to the epochal L’avventura. Marcello Mastroianni and Jeanne Moreau star as a novelist and his frustrated wife, who, over the course of one night, confront their alienation from each other and the achingly empty bourgeois ...
Apr 3, 2017 · One of the masterworks of 1960s cinema, La notte [The Night] marked yet another development in the continuous stylistic evolution of its director, Michelangelo Antonioni — even as it solidified his reputation as one of the greatest artists of the 20th century.