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Japanese percussionist, keyboardist and composer
- Stomu Yamashta (or Yamash'ta), born Tsutomu Yamashita (山下勉, Yamashita Tsutomu, 15 March 1947), [ 1 ] is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s.
en.wikipedia.org/wiki/Stomu_Yamashta
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Stomu Yamashta (or Yamash'ta), born Tsutomu Yamashita (山下勉, Yamashita Tsutomu, 15 March 1947), [1] is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s.
Apr 6, 2022 · Of all the artists who have managed a lifetime of extremity in sound, Stomu Yamash’ta, a Japanese percussionist, born Tsutomu Yamashita, has a discography that begs for reconsideration.
The name Stomu Yamash'ta generates an extremely wide variety of reactions from music aficionados. To some he is the early '70's avant garde percussion prodigy, whose depth and delicacy grace definitive recordings of works by Takemitsu Toru and Peter Maxwell Davies.
Jul 29, 2022 · A cult name in prog rock, jazz fusion and modern classical circles in the 1970s, Japanese percussionist and composer Stomu Yamashta is probably best known for featuring on the soundtrack to the Bowie-.
- Stephen Dalton
Stomu Yamash'ta is a Japanese composer and multi-instrumentalist who's specialty is vibes, percussion and keyboards. He moved to France in the early seventies and recorded one album before moving to the UK where he recorded most of his seventies albums.
Stomu Yamashta (or Yamash'ta), born Tsutomu Yamashita (山下勉, Yamashita Tsutomu, 15 March 1947), [1] is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s.
Oct 29, 2020 · Stomu Yamash’ta was considered among the best classical percussionists in the world (if not the very best) by his early 20s, he received a five minute standing ovation following a performance with the Chicago Symphony Orchestra, created a theater company and was nominated for two Grammys in its inaugural year.
