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American photographer
- Walker Evans (born November 3, 1903, St. Louis, Missouri, U.S.—died April 10, 1975, New Haven, Connecticut) was an American photographer whose influence on the evolution of ambitious photography during the second half of the 20th century was perhaps greater than that of any other figure.
www.britannica.com/biography/Walker-Evans
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Walker Evans was an American photographer whose influence on the evolution of ambitious photography during the second half of the 20th century was perhaps greater than that of any other figure. He rejected the prevailing highly aestheticized view of artistic photography, of which Alfred Stieglitz.
Walker Evans (November 3, 1903 – April 10, 1975) was an American photographer and photojournalist best known for his work for the Resettlement Administration and the Farm Security Administration (FSA) documenting the effects of the Great Depression.
Walker Evans is one of the most influential artists of the twentieth century. His elegant, crystal-clear photographs and articulate publications have inspired several generations of artists, from Helen Levitt and Robert Frank to Diane Arbus, Lee Friedlander, and Bernd and Hilla Becher.
Walker Evans. American Photographer, Writer, and Photojournalist. Born: November 3, 1903 - St. Louis, Missouri, USA. Died: April 10, 1975 - New Haven, Connecticut, USA. Movements and Styles: Modern Photography. , Straight Photography. , Photojournalism. , Documentary Photography. , Political Artists. "Stare, pry, listen, eavesdrop.
- November 3, 1903
- April 10, 1975
Walker Evans (November 3, 1903 – April 10, 1975) was an American photographer and photojournalist best known for his work for the Resettlement Administration and the Farm Security Administration (FSA) documenting the effects of the Great Depression.
Walker Evans is one of the leading photographers in the history of American documentary photography. Born in St. Louis, Evans studied at Williams College and the Sorbonne in Paris.
Sep 20, 2017 · Back in the 1930s, before the mundane details of daily life were standard art fare, before popular culture became Pop, Walker Evans turned his lens on everyday stuff that most other photographers of his era chose to ignore.
