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      • Sérgio, a gay garbage collector, lives alone with his dog, leading a promiscuous lifestyle. Despite coworker Fátima's attraction, he rejects her advances, becoming obsessed with another man instead. Young and handsome Sergio works the night shift as a trash collector in Lisbon, Portugal.
      www.imdb.com/title/tt0239381/plotsummary/
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  2. en.wikipedia.org › wiki › O_FantasmaO Fantasma - Wikipedia

    Young and handsome Sérgio works the night shift as a trash collector in Lisbon. He is uninterested in his pretty female co-worker Fatima, who displays an avid interest in him, so instead Sérgio roams the city.

  3. Nov 22, 2002 · Sérgio (Ricardo Meneses) is a poutily handsome young sanitation worker who drifts through the somber urban landscape of Lisbon in ''O Fantasma'' (''The Ghost''), João Pedro Rodrigues's graphic...

    • João Pedro Rodrigues
  4. Jun 23, 2024 · Key to O Fantasma was the casting of the main character, Sérgio, a young garbage collector who either descends into animalistic behavior or fulfills his true nature through doing so; it is an open question whether what we see happening on screen is actually occurring and not just an onanistic fantasy on Sérgio’s part and the part of his ...

  5. O Fantasma follows Sergio, who works as a garbageman by night and seemingly has nothing better to do by day than cruise and loiter.

  6. Sérgio, a gay garbage collector, lives alone with his dog, leading a promiscuous lifestyle. Despite coworker Fátima's attraction, he rejects her advances, becoming obsessed with another man instead. Young and handsome Sergio works the night shift as a trash collector in Lisbon, Portugal.

  7. Aug 8, 2018 · Sergio (Ricardo Meneses), a garbage man by day and a sexual predator by night, dresses in a black, full-body rubber suit and slinks around searching for someone to exploit. One night, he finds a man handcuffed in the back of a car.

  8. Feb 26, 2020 · The nighttime Lisbon that Rodrigues so evocatively captures in O Fantasma is a cityscape of endless sexual possibilities, but like Sérgio himself these encounters are often provocative in their surreal illogic: at one point early on, Sérgio just happens to come across a policeman handcuffed, gagged, and stuffed in his squad car’s backseat ...

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