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Stock character of pantomime and commedia dell'arte
- Pierrot (/ ˈpɪəroʊ / PEER-oh, US also / ˈpiːəroʊ, ˌpiːəˈroʊ / PEE-ə-roh, PEE-ə-ROH; French: [pjɛʁo] ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
en.wikipedia.org/wiki/Pierrot
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It was the home, beginning in 1816, of Jean-Gaspard Deburau (1796–1846), [33] the most famous Pierrot ever. He was immortalized by Jean-Louis Barrault in Marcel Carné 's film Children of Paradise (1945).
9 min. read. Pierrot, the sad clown in white face and loose blouse, expressing slowly and subtly in the liminal space beyond words, emerged in the nineteenth century from his roots in stock comedies and pantomimes to become the embodiment of a certain strain of artistic sentiment: sensitive, melancholy, and intrinsically alone, playful and ...
May 26, 2020 · Pierrot, an invention of the Italian commedia dell'arte troupes who delighted French audiences in Watteau's day, began life as a lazy, buffoonish stock character, the bumpkin foil to his fellow player Harlequin's ingenious trickery.
The origins of the pierrot character come from the medieval Italian Comedy or Commedia d’ell Arte, as do those of Harlequin & Columbine, whom we associate with pantomime and Mr Punch of Punch & Judy fame.
Nov 6, 2023 · The prototypical sad clown is none other than Pierrot – the lovesick character from the Italian Commedia dell‘Arte with a ghostly white face and ill-fitting costume. But to understand Pierrot, we have to go back to the 1400s, when Commedia dell‘Arte first emerged as a form of theater in Italy.
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May 23, 2018 · *Pierrot* a stock male character in French pantomime, usually played as a sentimental lovesick youth with a sad white-painted face, a loose white costume with a neck ruff, and a pointed hat.
Jan 2, 2024 · The enigmatic figure of Pierrot, with his chalk-white face and billowing costume, has haunted the creative imagination for centuries, weaving a narrative thread that binds the Commedia dell'arte's Italian origins with the complex tapestry of Western art history.
