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French Symbolist painter
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- Gustave Moreau (born April 6, 1826, Paris, France—died April 18, 1898, Paris) was a French Symbolist painter known for his erotic paintings of mythological and religious subjects.
www.britannica.com/biography/Gustave-Moreau
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Gustave Moreau (French: [ɡystav mɔʁo]; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".
The Island of Doctor Moreau is an 1896 science fiction novel by English author H. G. Wells. It was published on 1 January 1896. The novel is set between 21 January 1887 to 5 January 1888. The text of the novel is the narration of Edward Prendick, a shipwrecked man rescued by a passing boat.
- Herbert George Wells
- 1896
Gustave Moreau (born April 6, 1826, Paris, France—died April 18, 1898, Paris) was a French Symbolist painter known for his erotic paintings of mythological and religious subjects.
- The Editors of Encyclopaedia Britannica
Gustave Moreau's visionary paintings speak to an obsession with the otherworldly, the macabre, and the life of the imagination which resonates across the recent centuries, making him one of the most fascinating of 19 th -century painters for modern audiences.
- French
- April 6, 1826
- Paris, France
- April 18, 1898
Gustave Moreau was a leading figure in the French Symbolist movement. He completed this painting in 1889, although he began working on it many years earlier.The story of Saint George and the dragon had long been popular with artists, and the painting shows Moreau’s awareness of earlier images of...
Biography of Gustave Moreau. April 6, 1826. Gustave Moreau is born in Paris. His father Louis Moreau, an architect, instilled in him a solid classical culture. His mother, Pauline, surrounded the frail young boy with her care. 1836-1840.
Sep 8, 2023 · Though he considered himself to be first and foremost a painter of history, Gustave Moreau is now widely regarded as the father of Symbolist art, a fitting honorific for the artist who once described painting as a “language of symbol, myth and sign.”. Cite this Article.
