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Apparatus theory, derived in part from Marxist film theory, semiotics, and psychoanalysis, was a dominant theory within cinema studies during the 1970s, following the 1960s when psychoanalytical theories for film were popular.
Mar 31, 2021 · Mar 31, 2021. -- A brief introduction to Jean-Louis Baudry’s apparatus theory. Apparatus theory was an influential contribution to film studies in the 1970s. The theory combined Louis...
- Emily Pothast
Aug 24, 2016 · Baudry formulates his theories on the cinematic apparatus of the 1970s, theatrical projection, conceptualizing the cinematic experience as continuous and uninterrupted from start to finish.
Jan 30, 2015 · Baudry sets up the questions he will answer throughout the rest of the text: How the “subject” is the active center of meaning. How the cinematic apparatus is actually more important for transcendentalism in the subject than the film itself.
Baudry discusses the viewpoint of the “subject” in both Greek and Renaissance art histories. While both static, the Greeks “subject” is based on a “multiplicity of points of view” while the Renaissance paintings utilize a “centered space”.
Jun 2, 2016 · Baudry argues that “equally distant from ‘objective reality’ and the finished product, the camera occupies an intermediate position in the work process which leads from raw material to finished product.”
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Jul 28, 2016 · Baudry formulates his theories on the cinematic apparatus of the 1970s: theatrical projection. In recent years, however, new technologies mean that Baudry’s ideal relationship between spectator and screen is changing. One development in particular is live action virtual reality (VR).
