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French film director and film critic
- Jacques Rivette (French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991).
en.wikipedia.org/wiki/Jacques_Rivette
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Jacques Rivette (French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma.
Jacques Rivette was a French film director associated with the New Wave film movement and known for his experimental evocative style. Before becoming a director, Rivette had a career as a writer and film critic. In 1950 Rivette, Jean-Luc Godard, François Truffaut, and Eric Rohmer founded the film.
- The Editors of Encyclopaedia Britannica
Jacques Rivette. Director: La Belle Noiseuse. Although François Truffaut has written that the New Wave began "thanks to Rivette," the films of this masterful French director are not well known.
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- Paris, France
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Feb 1, 2016 · Critic-turned-director Jacques Rivette, pioneer of the French New Wave, was its least public face. His films are notable for their improvisatory theatricality, unconventional...
- John Leman Riley
Jacques Rivette (1 March 1928 - 29 January 2016) was one of the central figures in the French New Wave movement. He began writing articles for Cahiers du Cinema in 1952, and became an increasingly influential figure at the magazine.
Jan 30, 2016 · signature figures of the French New Wave—Jacques Rivette, Francois Truffaut, Claude Chabrol and Eric Rohmer — Jean-Luc Godard is now the only surviving filmmaker.
Nov 23, 2015 · The best place to start – Céline and Julie Go Boating. It may seem slightly perverse to recommend a 192-minute metatextual odyssey through parallel worlds as the best introduction to a director’s work, but Céline and Julie Go Boating (1974) is the quintessential Rivette film, and arguably his greatest.
