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Fiorello
- Fiorello, Almaviva’s servant, arranges a bunch of slightly off-tuned musicians for a Serenade for Rosina at dawn.
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Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself, and Count Almaviva has degenerated from the romantic youth of Barber, (a tenor in Paisiello's 1782 opera), into a scheming, bullying, skirt-chasing baritone.
Count Almaviva again appears at the doctor's house, this time disguised as Don Alonso, a priest and singing tutor who is substituting for the supposedly ailing Basilio. To gain Bartolo's trust, Don Alonso tells him he has intercepted a note from Lindoro to Rosina, and says that Lindoro is a servant of Count Almaviva who has dishonorable ...
Figaro, servant to Count Almaviva, is about to marry Susanna, the Countess’s maid. He measures a room for a bed, but Susanna is concerned that the room is too close to the Count’s chamber. She explains to Figaro that Almaviva is pursuing her.
Rosine then comes out, looking for the Count; Bartholo goes to her and tells her that the man in the house was working for a notorious womanizing count named Almaviva, who plans to have his agents kidnap her.
Mar 18, 2011 · In The Barber of Seville, a young nobleman named Almaviva wins his lover Rosina away from her lecherous guardian Dr. Bartolo, with considerable help from the Count's friend, Figaro. As The...
Figaro is just about to greet Almaviva by name when the Count says he is travelling in disguise. He does, however, want Figaro’s help wooing Rosina, whom he believes is the daughter of Doctor Bartolo.
Count Almaviva is a central character in Wolfgang Amadeus Mozart's opera 'The Marriage of Figaro', which is based on a play by Pierre Beaumarchais. He is depicted as a nobleman who desires to marry the servant girl, Susanna, while also being entangled in a love triangle that involves his wife, Countess Rosina, and the clever servant Figaro.
