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Died. March 10, 1940 (aged 45) Stockholm, Sweden. Notable works. Tony series. Agnes von Krusenstjerna (October 9, 1894 – March 10, 1940) was a Swedish writer and noble. She was a controversial writer whose books challenged the moral standards of the day and was the center of a great literary controversy of the freedom of speech.
Julie Fredrika. von Krusenstjerna. 1894-10-09 — 1940-03-10. Author. Agnes von Krusenstjerna was one of the most well-known Swedish authors of the interwar years. Her novels about women’s dreams for the future, their relationships, their sexuality and the limiting conditions they lived under, generated both opposition and support and ...
- October 9, 1894
- March 10, 1940
Agnes von Krusenstjerna. 1894 - 1940. Sweden. Agnes von Krusenstjerna grew up in an aristocratic officer’s family and has been labelled a decadent, trivial writer, but has also been celebrated as a genius on a par with Marcel Proust and D. H. Lawrence. Due to mental illness, which took the form of bouts of hysteria, she was forced to leave ...
Inspired Exile: Agnes von Krusenstjerna Abroad (2007) Constructing the Gendered Canon: Past and Future Swedish Literary Histories (1998) Other. Anna Greta Wide (2020) Ingeborg Björklund (2020) Lotten von Kraemer (2018) Agnes von Krusenstjerna (2018) Aldrig Mere Den Samme (2012) Never the Same Again (2012) Aldrig mer sig lik (2012)
Oct 19, 2020 · For her final feature, Amorosa (1986), Zetterling returned to Agnes von Krusenstjerna – this time telling the novelist’s life story rather than adapting her work. The film begins as a fever dream, with von Krusenstjerna being committed to an asylum during the Carnival of Venice.
in considering Agnes von Krusenstjerna their twentieth century novelist who is most assured of classic rank in days to come, this is an absurd situation. If America can make Proust in English a profitable venture, in spite of the large volume physically of his work, it can certainly bail out the publisher of Agnes von Krusenstjerna even though ...
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The aim of this article is to explore the queer possibilities of the silence in the depiction of the protagonist’s love life in Agnes von Krusenstjerna’s Tony trilogy (1922–1926).
