Django
Search results
People also ask
Who starred in Django Unchained?
When did Django Unchained come out?
How many awards did Django Unchained get?
Is Django Unchained a good movie?
Is Django Unchained free?
Who won Best Original Screenplay Oscar for Django Unchained?
Django Unchained was the first Tarantino film not edited by Sally Menke, who died in 2010. Editing duties were instead handled by Fred Raskin, who had worked as an assistant editor on Tarantino's Kill Bill. [43] Raskin was nominated for a BAFTA Award for Best Editing but lost to William Goldenberg for his work on Argo.
Jan 15, 2013 · After spending nearly a year assembling Django Unchained, Raskin, who is now armed with a BAFTA nomination, opens up about his work on the Oscar-nominated film, the job of a film editor, and working with one of his cinematic heroes.
Jan 11, 2013 · Fred Raskin – Editor of Django Unchained. AOTG.com has a great interview with the incredibly enthusiastic Fred Raskin, editor of Quentin Tarantino’s latest film Django Unchained and previously an assistant on many really great films like Insomnia, Punch Drunk Love and both volumes of Kill Bill.
Dec 25, 2012 · Django Unchained: Directed by Quentin Tarantino. With Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington. With the help of a German bounty-hunter, a freed slave sets out to rescue his wife from a brutal plantation owner in Mississippi.
- (1.7M)
- Comedy, Drama, Western
- Quentin Tarantino
- 2012-12-25
Django Unchained was the first Tarantino film not edited by Sally Menke, who died in 2010. Editing duties were instead handled by Fred Raskin , who had worked as an assistant editor on Tarantino's Kill Bill . [42]
Aug 5, 2021 · In December 2012, Quentin Tarantino released one of his most successful, and controversial, films to date: Django Unchained, and introduced millions of moviegoers around the world to his unique...
Dec 18, 2012 · Fred Raskin says he stepped into “enormous shoes” when he took the job to edit Django Unchained for director Quentin Tarantino. This was the director’s first film since the premature passing of his long-time collaborator, editor Sally Menke.
