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The zone of Les Olympiades, 13th arrondissement of Paris, from which the film takes its name. Paris, 13th District (French: Les Olympiades) is a 2021 French drama film directed by Jacques Audiard, from a screenplay he co-wrote with Céline Sciamma and Léa Mysius, loosely based on the short comic stories Amber Sweet and Killing and Dying from the book of the latter's name, and Hawaiian Getaway ...
Nov 10, 2023 · A still from Les Olympiades.Émilie (left) and Camille (right), via Page 114 and France 2 Cinema. The story takes place in the 13th arrondissement — district — of Paris, where Émilie lives in ...
Do you feel close to the character Émilie, whom you play in Les Olympiades? Her thirst for freedom is mine. She moves forward without worry;, she wants to live her life. She has a fire burning inside, and I love the way she lets it out. She does it with so much ease and carelessness. I’’m so worried about how other people will look at me.
Jul 16, 2021 · Dir. Jacques Audiard — 4.5 stars. Breakout actress Lucie Zhang and rising star Makita Samba in Jacques Audiard's "Les Olympiades." By Courtesy of Festival de Cannes. Though they may seem like ...
Nov 3, 2021 · Film Review: Les Olympiades, Directed by Jacques Audiard. First published: November 3, 2021 by France Today Editors. Set in Paris’s 13th arrondissement, Les Olympiades (named after the complex of towers in the middle of the 13th) is a thoroughly 21st-century love story: Émilie meets Camille who is attracted to Nora who herself crosses Amber ...
Paris, 13th District: Directed by Jacques Audiard. With Lucie Zhang, Makita Samba, Noémie Merlant, Jehnny Beth. Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy - they're friends, sometimes lovers and often both.
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Sep 12, 2022 · Jacques Audiard’s Les Olympiades (2021) is adapted from three stories by beloved Californian comics artist and illustrator Adrian Tomine. At every point the comics and their film adaptation intersect, Audiard and his script collaborators (directors Céline Sciamma and Léa Mysius) take what is open-ended, deadpan, allusive, ambivalent, rebarbative, discomfiting, emotionally complex ...
