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Pablo de Sarasate, Spanish composer (1844–1908), composed a Jota navarra as part of his Spanish Dances. Francisco Tarrega, Spanish composer (1852–1909), composed Gran Jota for classical guitar. Santiago de Murcia, Spanish composer (1673–1739), composed Jota.
Book I (Malagueña and Habanera), Op. 21, was composed in Germany between December 1877 and February 1878, and dedicated to Joseph Joachim, whom he had met in Berlin. [1] Book II (Romanza andaluza and Jota navarra), Op. 22, was composed during his first tour of Scandinavia in 1878, and dedicated to Moravian violinist Wilma Neruda. [1]
Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violinist, composer and conductor of the Romantic period. His best known works include Zigeunerweisen (Gypsy Airs), the Spanish Dances, and the Carmen Fantasy.
2. Jota Navarra (Spanish Dance No.4) Composer Time Period Comp. Period: Romantic: Piece Style Romantic: Instrumentation violin (or mandolin), piano
- Spanische Tänze
- Op.22
- Sarasate, Pablo de
- Spanish Dances
May 8, 2020 · He composed his grand duet ‘Navarra’ in 1889, well into his career, as a tribute to his background. The bulk of the piece is a type of minuet dance; more specifically a jota, which is a Northern Spanish variant of the Waltz from around the 18 th century.
In his early career, Sarasate performed mainly opera fantasies, most notably the Carmen Fantasy, and various other pieces that he had composed. The popularity of Sarasate's Spanish flavor in his compositions is reflected in the work of his contemporaries.
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Navarra was composed in 1889 and originally was scored for two violins and piano. It was subsequently arranged for 2 violins and orchestra and became better known in that version. The work is a tribute to the province of Navarra. It is in the style of a quick step dance known as the Jota, native to northern Spain and Navarra in particular.
