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Scorpio Rising – Kenneth Anger’s influential 1964 film melds occult imagery with homoeroticism, predating and influencing much of the Cinema of Transgression. Desperate Living – A work by John Waters from 1977, this movie delves into the lives of social misfits with his typical blend of humor and grotesque scenarios.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films.
- The Witch (2015) Eggers’ The Witch is similar to Haxan in its approach to its criticism of religious zeal and the influence of the occult upon a spiritual society.
- Haxan: A Tale of Witchcraft Through the Ages (1922) Benjamin Christensen’s Haxan is a dissertation on the development of occult mythologies and their impact on modern society, specifically as it applies to the misunderstandings of mental illness and the tendency of people to associate the mentally ill with theological ideas of possession, demonology, etc.
- The Devil Rides Out (1968) Terence Fisher, a master of classic horror, is known for his reconsiderations and interpretations of age-old horror stories like Frankenstein, The Phantom of the Opera, Dracula and The Curse of The Werewolf.
- The Wormwood Star (1955) Curtis Harrington’s The Wormwood Star, a biographical film that considers Marjorie Cameron in the context of the underground occult movement of the 1950s/60s in the United States in particular in that it uses the cinematic language of Kenneth Anger to depict a sort of ‘living symbiosis’ of philosophy, Thelemic aesthetic and biography.
- Haxan: Witchcraft Through the Ages (1922) This is a Swedish-Danish produced silent film that is meant to be considered a documentary examining the history and evolution of witchcraft, from its pagan roots through to the hysteria that took place in modernized Europe.
- The Undead (1957) “Terror… that screams from the grave!” [2]. A woman is put into a psychical trance and sent back through time into the body of one of her medieval ancestors, who is condemned to die as a witch.
- Curse of the Demon AKA Night of the Demon (1957) “Horror! Most terrifying story the screen has ever told!” [4]. Paranormal Psychologist Dr. John Holden (Dana Andrews) travels to England in order to investigate and disprove the existence of Satanism and its use by the devil cult leader Dr. Julian Karswell (Niall Macginnis).
- Black Sunday (1960) In 1630 Moldavia, the witches Asa Vajda (Barbara Steele) and Javuto are sentenced to death by Asa’s brother and the inquisition. She puts a curse on her ancestors and vows to return and avenge her death.
Feb 17, 2012 · Spawned from No Wave cinema and music, the Cinema of Transgression coined by Zedd aimed to outrage and violate morals and sensibilities, not pushing, but breaking with whatever boundaries it found.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films.
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Jun 6, 2016 · The so-called ‘Black Aquarius’, the wave of fascination with occultism that swept British culture, manifested in numerous forms, including film. One of the better examples, The Blood on Satan’s Claw (1971), could almost be an influence on The Omen.
