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    • Mad Max: Fury Road (2015) How many different sounds can you identify in this scene? A more than deserved win for Gregg Rudloff, Chris Jenkins, and Ben Osmo.
    • Dunkirk (2017) Dunkirk - Sound Mixing. Because war movies usually demand multiple sounds firing at the same time, the quality of the mixing is generally more noticed.
    • Inception (2010) Inception - Oscar winner for Best Sound Mixing. The layered sounds of Inception are almost as complicated as the layered dream world in the film.
    • The Matrix (1999) The Matrix - Bullet Dodge Sound Mixing. Sound team, John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee were the brains behind some of the best “bullet sounds” to ever hit Hollywood.
    • “Gladiator”
    • “Dune”
    • “Apocalypse Now”
    • “The Matrix”
    • “Ray”
    • “Braveheart”
    • “Fiddler on The Roof”
    • “The Dark Knight”

    Sixty-five people worked in the sound department for Ridley Scott’s Oscar-winning “Gladiator.”Sound editor Per Hallberg used a Dolby Digital EX mix, an extended format that amplifies the audio, to make a well-rounded effect. Initially, his team attempted to capture the sound of a screaming crowd in the Colosseum by recording around 2,000 extras. Th...

    When it was announced that Frank Herbert’s beloved sci-fi novel was coming to the big screen again, many had doubts about his epic vision being brought to justice—but sound mixers Ron Bartlett and Doug Hemphill worked their auditory magic to bring it to life. Bartlett and Hemphill’s job was to combine Hans Zimmer’s atmospheric score with sound desi...

    Sound designer Walter Murch crafted an ambitious masterpiece layered brilliantly with music and intense audio effects. In particular, the helicopter wings provide a distinctively sharp cut. “ ‘Apocalypse Now’ is a symphony of sounds from beginning to end,” says actor-director Anna Rezan (“My People”). “It tells the story of what war does to someone...

    Sound mixers used DAWs program Pro Tools to create the film’s highly technical, disquieting soundtrack. Conflicting themes wind through “The Matrix”—fate versus free will, computers versus humans, and good versus evil—and the incongruous audio only enhances that sense of friction. “The sound mix, including all its constituent elements (sound design...

    Jamie Foxx’s performance in the Ray Charles biopic earned him an Academy Award. The vocals, however, were recorded by Charles himself. Sound mixers had the added challenge of seamlessly merging Foxx’s movements and Charles’ singing during musical performances. More intensely emotional scenes in the film (particularly involving drug addiction) were ...

    Supervising sound editor Lon Bender won an Academy Award for the film’s sound effects, which included whizzing arrows, clanging swords, and thousands of stomping feet. Bender sought to recreate audio effects from the 13th century and blended those with James Horner’s score. “From enchanting echoes of bagpipes to the wild war cries of a fierce army,...

    This classic film excels in its ability to relay emotion through songs such as “If I Were a Rich Man” and “Miracle of Miracles.” The musical emphasizes the importance of sound mixing in film, since the soundtrack is especially significant to the overall style. It’s “a phenomenal example of iconic sound mixing for its time; a rich, highly detailed s...

    Screeching tires, explosions, and a score by Hans Zimmer and James Newton Howard fill the auditory space of this film. The instrumental motif provides a sharp contrast to loud and explosive action sounds; and when the Joker appears, an eerie hum slices into the soundtrack. “ ‘The Dark Knight’ proves that you don’t always need words, but a wholesome...

    • Star Wars (1977 - onwards) Star Wars stands tall in the annals of cinema history for numerous reasons. One of which is its innovative (and, frankly speaking) groundbreaking sound design.
    • Apocalypse Now (1979) Apocalypse Now is a landmark in the history of sound design. Walter Murch, the sound engineer behind this masterpiece, coined the term "sound design," and the film serves as an embodiment of his vision.
    • Saving Private Ryan (1998) Saving Private Ryan provides a masterclass in immersive audio, right from the get-go. The D-Day scene, however, stands out for its brutal and visceral sound design.
    • Gravity (2013) Gravity redefined the traditional approach to sound in space. Knowing that sound doesn't travel in a vacuum, the audio team, led by Glenn Freemantle, was challenged with the task of creating aural effects that matched the eye-popping nature of the film’s visuals.
    • Dreamgirls (2006) In the film “Dreamgirls” (2006), Jennifer Hudson delivers a stunning and unforgettable performance as Effie White, a talented singer who faces the challenges of love, fame, and personal growth.
    • Gladiator (2000) “Gladiator” is a 2000 historical epic film directed by Ridley Scott. Set in ancient Rome, the film tells the story of Maximus Decimus Meridius, a loyal general who is betrayed by the corrupt Commodus, the Emperor’s son, and seeks revenge.
    • Chicago (2002) “Chicago” is a musical crime comedy-drama film released in 2002, directed by Rob Marshall. It is based on the Broadway musical of the same name, which itself is based on the play by Maurine Dallas Watkins.
    • Black Hawk Down (2001) “Black Hawk Down” is a 2001 war film directed by Ridley Scott, based on the non-fiction book of the same name by Mark Bowden. The film depicts the harrowing events of the Battle of Mogadishu that took place in 1993 in Somalia, where U.S.
  1. Sep 21, 2024 · Sound is half of what makes a movie great, and movies like The Exorcist, Amadeus, and Star Wars are notable for having some of the best sound design.

    • Liam Gaughan
  2. Sound helps set the mood, express meaning, and carry emotion in a film. Here are 25 sound-designed movies that earned Academy and Golden Globe awards.

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  4. Dec 6, 2015 · The mixing stage is the process capable of providing tension in any thriller, and the Foley recording is the process capable of inventing sounds for a film. One of the reasons the sound design is discreet is the tradition of making it “invisible”.

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