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      • The Fuji X-Pro1 has the same image sensor and XF lens mount. The X-E1 is 30% smaller than the X-Pro1, and has an even higher-resolution electronic viewfinder, for less money. The X-E1 has no optical finder as does the X-Pro1, but adds a built-in flash, all for less money.
      www.kenrockwell.com/fuji/x-e1.htm
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  2. In this week's video, we compare the Fujifilm X-E1 and the Fujifilm X-Pro1, the best entry-level, affordable cameras for street photography.

    • 8 min
    • 25.2K
    • Jorge Perez
  3. Sep 6, 2012. Jan 9, 2012. $1,399.95 with 18-55mm lens, $999.95 body only. Rangefinder-style mirrorless. Rangefinder-style mirrorless. 4896 x 3264. 4896 x 3264. 4896 x 2760,3264 x 3264, 3456 x 2304, 3456 x 1944, 2304 × 230, 2496 x 1664, 2496 x 1408 , 1664 × 1664.

  4. Mar 27, 2013 · The Optical viewfinder and PC flash sync port of the X-Pro1 are great features; but aren’t worth the extra money in my opinion. The auto-focus is still quite slow on both cameras so you might also consider the Fuji X100s, which claims to have the fastest auto-focus in the world.

    • Fujifilm X-E1 at A Glance
    • Fujifilm X-E1 Review – Introduction
    • Features
    • Bracketing
    • Build and Handling
    • Metering
    • Autofocus
    • Dynamic Range
    • White Balance and Colour
    • Noise, Resolution and Sensitivity
    16.3-million-pixel, APS-C-sized, X-Trans CMOS sensor
    EXR Processor Pro engine
    ISO 200-6400 (extended to ISO 100-25,600)
    Fujifilm X mount

    It came as no surprise that on the back of the success Fujifilm had with its fashionable rangefinder-style FinePix X100, the company should announce what is effectively an interchangeable-lens version in the form of the X-Pro1. What is perhaps surprising is just how good the newer model is. It was clear from the camera’s build, handling, image qual...

    Image: The panorama mode is available in a ‘medium’ and a ‘large’ degree of angle, this being the large setting. Also, the sweep can be performed in a horizontal or vertical movement in either direction After the FinePix X100 original X-series camera was announced, AP conducted a poll about the camera, the results of which indicated that 45% of tho...

    It is not unusual for a camera to offer bracketing for exposure, but the X-E1 has four bracketing modes to choose from – for ISO, autoexposure (AE), film simulation and dynamic range. Bracketing is quickly accessed via the drive button on the camera’s rear, and each mode works over three frames. With the AE and dynamic range options the camera need...

    Fuji’s X-series cameras have rightly gained a reputation not only for style, but also for solid build quality. Scan the X-E1’s body and one can find ‘Made in Japan’ on the rear and underside of the camera, and on the underside of the 18-55mm lens. In fact, the camera’s origins are proudly stated in the first line of the design section for the X-E1 ...

    By default, the AE button on the rear of the camera is used to access ‘Photometry’, Fuji’s 256-zone metering system, with average, multi and spot metering options. I have no complaints with how the multi and average metering modes work, as both are reliable and predictable. I found that the camera tends to preserve highlight detail, which means in ...

    In our test of the X-Pro1, we found that its autofocus is steady rather than snappy. Since then, Fuji has released a firmware upgrade (version 2.0) with a key improvement to the autofocus performance. The X-E1 comes with this latest firmware already installed. We compared this firmware against version 1.11 in Testbench (AP 17 November). In these st...

    Image: A dark exposure here was needed to capture the dramatic sky. Shadow detail in the JPEG image is crisp even at +3EV The Fuji X-E1 is able to capture a wide range of tones in its standard exposure mode. Thanks to a good control of shadow noise, it is possible to shoot darker exposures and then bring them back (brighten them) without compromisi...

    It is clear from even a first look at JPEG files from the Fuji X-E1 that the colour rendition using AWB is very good indeed. In a landscape taken on a bright day, blues in the sky are punchy and greens realistic. In overcast conditions, too, the tone is warm, while in many other systems AWB can give cool results. As I have already mentioned, there ...

    Image: The ISO 100, 12,800 and 25,600 extended settings are available as JPEG images and not as raw files The Fuji X-E1 uses the same 16.3-million-pixel, APS-C-sized, X-Trans sensor that was introduced in the X-Pro1, which means it is able to capture a high level of detail. Both the Nikon D800E and Leica M Monochrom clearly benefit from the removal...

    • Fuji
    • Amateur Photographer
  5. Jan 31, 2013 · On the X-Pro1 you'll find a larger, 3-inch, 1.23k dot resolution device, whereas on the cheaper X-E1, it's a smaller 2.8-inch, much lower resolution 460k dot screen.

    • Fuji
    • Amy Davies
    • Which is better X Pro1 or X-E1?1
    • Which is better X Pro1 or X-E1?2
    • Which is better X Pro1 or X-E1?3
    • Which is better X Pro1 or X-E1?4
    • Which is better X Pro1 or X-E1?5
  6. Mar 1, 2013 · The X-E1 is in essence a slimmed-down X-Pro1, with the large, complex and expensive hybrid finder replaced by a purely-electronic viewfinder. Not any old EVF though - it uses a 2.36M dot OLED unit, out-speccing the X-Pro1's 1.44M dot LCD finder.

  7. 4896 x 2760,3264 x 3264, 3456 x 2304, 3456 x 1944, 2304 × 230, 2496 x 1664, 2496 x 1408 , 1664 × 1664

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