Yahoo Web Search

Search results

  1. May 25, 2024 · Here is a rundown of the essentials you need to know about Film Simulation modes – including how to access them, what they do, how to customise them, and which cameras you can find them on. Classic Neg is based on the popular Superia film stock. Fujifilm X100VI. Credit: Andy Westlake.

    • Where is film mode based?1
    • Where is film mode based?2
    • Where is film mode based?3
    • Where is film mode based?4
    • Where is film mode based?5
  2. Dec 15, 2018 · When Motionflow & Film mode are NOT Off, Film mode appears to be trying to constantly track the frame rate of the source content that is being displayed (so that it can decide if it needs to do anything with it or not).

  3. May 6, 2016 · Beverly Hills-based Film Mode aims to present 10-15 theatrical titles a year and plans to build out the business to London, New York and Melbourne. “I’m thrilled to launch Film Mode during...

    • A Lot More Than Just "Scene Modes"...
    • Quick Links For Individual Film Simulations
    • The Look of Film Is Etched on Our Psyches
    • Finally, A Reason
    • Why Can't I Just Do This in Photoshop?
    • A Quick History of Fujifilm's Film Simulations
    • Color Plots Will Help Us See What's Going on "Inside" The Film Simulations
    • Finally! Let's Look at Some Film Simulations!
    • Provia/Standard
    • Velvia/Vivid

    I've never been much of a fan of the usual "scene" or "creative" modes on digital cameras; they've always seemed kind of niche and amateurish to me. Sure, I might want to bump the saturation on a sunset shot, or dial back the contrast and saturation for portrait shoots, but I never had a good sense of exactlywhat the average scene mode would do for...

    There's a lotof text here; if you'd like to skip to a specific film simulation or perhaps the part about third-party simulations not matching what your Fuji camera produces, just click one of the links below: 1. Why can't I do this in Photoshop? (How color film works) 2. Understanding the color plots used here 3. The PROVIA/Standard Film Simulation...

    Just as happened with vinyl LPs in the audio world, film is experiencing something of a comeback in photography these days. And not just among hipsters, either. The look of different film emulsions can bring different shades of feeling to your photos. I think a lot of the renewed interest in film is because the distinctive colors, tonality and grai...

    Here's the really cool part: If you shoot raw files, you can change your mind about what Film Simulation you want to use after the fact! Pressing the menu button in playback mode will present you with a RAW processing function built right into the camera itself. Switching between different film types on your computer takes just a few mouse clicks w...

    As I said at the top, this is why I've wanted to write an explainer article about Fuji's film simulations for years now: They go way beyond what you can do with just a few sliders or curve tweaks in Photoshop. To understand why, let's take a deep dive into the details of how color film emulsions work. (Fair warning, this next section does get prett...

    Even for Fuji, though, it's taken years to develop all the film simulations we see today. The first variant of the technology appeared in 2003, as part of the company's FinePix F700 camera, although at that time it was called FinePix COLOR and offered a choice of just three film looks: F-Standard, F-Chrome or F-B&W. While they were based on Fuji's ...

    As photographers, we naturally tend to think more about the look and visual impact of our final images and less about the inner workings of the tech that produces them. That said, I've found plots showing how the various Film Simulations render various subject colors really helpful in understanding what to expect out of them, and to compare one aga...

    With all that as background, we're finally equipped to see clearly just what makes the various Film Simulations unique, and how they vary from each other. We'll look at the details of how each one handles color, and then see how that plays out in some specific images. In all cases, we'll be looking at what the cameras themselves produce, whether di...

    FUJICHROME PROVIA is a professional color reversal (slide) film that's intended to provide a super-fine grain structure, with vivid but faithful color reproduction and well-balanced gradation. Fujifilm recommends this as its standard color Film Simulation (it's every camera's default), as it's the one which should be most broadly applicable regardl...

    Compared to PROVIA, FUJICHROME Velvia is also a professional color reversal film with a super-fine grain structure, that also aims for ultra-high saturation and contrast. First introduced in 1991, it's especially popular with nature photographers, and the company also recommends it for landscape, commercial, product and interior photography. While ...

  4. Fujifilm X-mount cameras include film-simulation modes that make your photos look like they were shot on film stock. (They also look like retro-cameras, adding to the experience of shooting with film.) Older CCD-based digital cameras render more ‘filmic’ color than newer CMOS sensors.

  5. May 1, 2024 · Everything You Need to Know About Fuji's Film Simulation Modes. Fujifilm's mirrorless X and GFX cameras offer a number of different film looks. We explain what they are, how they work, and when...

  6. People also ask

  7. May 1, 2024 · How to Switch Between Fuji's Film Simulation Modes. It's easy enough to swap between the different film looks. You can access them via the main camera menu (they're in the Image Quality...

  1. People also search for