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  1. Marianelli was born in Pisa, Italy. He studied piano and composition in Florence and in 1990 he moved to London. After a year as a postgraduate composer at the Guildhall School of Music, he took up a three-year postgraduate program at the National Film and Television School in London, from which he graduated in 1997.

  2. Dario Marianelli. Composer: Atonement. Dario Marianelli was born in Pisa and studied piano and composition in Florence and London. After a year as a postgraduate composer at the Guildhall School of Music and Drama, he spent 3 years at the National Film and Television School, from which he graduated in 1997.

    • January 1, 1
    • Dario Marianelli
    • Pisa, Tuscany, Italy
  3. Jul 31, 2022 · 5 celebrities who went to school in Bournemouth you might not know about. Bournemouth. Christian Bale. Gareth Malone. ITV. The Benny Hill Show. Cinema. Comedy. Entertainment.

  4. Dario Marianelli. Composer: Atonement. Dario Marianelli was born in Pisa and studied piano and composition in Florence and London. After a year as a postgraduate composer at the Guildhall School of Music and Drama, he spent 3 years at the National Film and Television School, from which he graduated in 1997. Dario's film scores include 'Paddington 2' (2017), 'Darkest Hour' (2017), 'Kubo and the ...

  5. Dario Marianelli was born in Pisa and studied piano and composition in Florence and London. After a year as a postgraduate composer at the Guildhall School of Music and Drama, he spent 3 years at the National Film and Television School, from which he graduated in 1997.

  6. 21 June 1963 (age 59) Born In. Pisa, Pisa, Toscana, Italy. Dario Marianelli (born June 21, 1963) is an Italian film composer, known for his frequent collaborations with director Joe Wright. Marianelli was born in Pisa, Italy. He graduated from the National Film and Television School in England. He composed the soundtracks for The Brothers Grimm ...

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  8. Dec 16, 2016 · Abstract. In this interview, Academy Award-winning film composer Dario Marianelli discusses his close working relationship with director Joe Wright, as well as his philosophical and aesthetic approaches to screen composition. In particular, he discusses the inherent opportunities, contradictions, and challenges of representing fictional truth ...

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