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  1. Pierluigi Giombini (born 11 December 1956 in Rome) is an Italian songwriter and record producer. He was born in a family of musicians: his father Marcello Giombini was a composer of secular music and film music as well as being interested in electronic music.

  2. In 2017, a dense volume entitled Musical Ontology: A Guide for the Perplexed has been devoted to the survey of the broad ontological debate on music by Mimesis International – ... Musical ontology is one of most lively areas of research within analytic philosophy of music.

    • Nicolò Palazzetti
    • 2018
  3. Giombini therefore had been introduced at an early age to the classics and progressed to study piano and composition at the conservatory. While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos.

  4. www.discogs.com › artist › 164519-Pierluigi-GiombiniPierluigi Giombini - Discogs

    Italian arranger & composer (Rome, 11 Dec., 1956), born in a family of musicians (son of composer Marcello Giombini) was led to music from an early age becaming one of the best 80's disco arrangers.

  5. While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos. It was Wendy Carlos' Switched-On Bach records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s.

  6. Jun 6, 2023 · Lisa Giombini, PhD in Philosophy, is a Visiting Research Fellow in Philosophy at the University of Hertfordshire and a Research Fellow in Aesthetics at Roma Tre University, where she teaches Musical Aesthetics. Her research interests involve Philosophy of Music, Philosophy of Art Restoration and Conservation, Everyday Aesthetics, Environmental ...

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  8. Historical and sociological analyses may bring some undiscussed theoretical benefits to the advance of our study and knowledge of music; they can contribute to unveil the interweaving of forces that drive music as a human practice; uncover the complex dynamics that affect music appreciation and consumption; help us clarify how and why music ...

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