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Annual Review 2021 - 2022. After an unprecedented 15-month closure, find out how our work across the UK blossomed back to life. Read our annual review. Key highlights. 24% of audiences at the South Bank were aged under 35, and 37% were first-time visitors.
- 2021–22 Annual Review
all its complexities, the key story of 2021–22 is one of...
- National Theatre Annual Review
National Theatre Annual Review. Welcome. Our Year In...
- 2021–22 Annual Review
- to One Man Two Guvnors
- Theatre on Demand
- Public Acts Participant
- We Begin Again
- Learning and Young People
- Drama Teacher at Chorlton High School
- Kae Tempest, during rehearsals for their new play, Paradise, in summer 2021
“Christine Patterson is the energy I’m channelling to survive coronavirus - caught off guard and continuously startled but my gosh she’s doing her bit.” @henryegar “The perfect temporary escape from real-life horrors. Genuinely haven’t laughed like this for a fortnight.” @ed_marriage “We’ve turned our living room into a theatre for the @National...
Matthew Amos, was the camera director of Death of England: Delroy. As the team prepared to film the production, he spoke about the demands of turning the capture around in time. ‘We found out about this on Saturday - it’s now Wednesday and we’re filming it. Normally we’d be looking at six to eight weeks as the shortest time, and months of preparat...
Left: Portraits of Stories To Get Us Through participants. Left to right, top to bottom: Aaron and Beth, Bipolar Abdul, Samani, Mal, Mike, Frankie (Rasha Kotaiche)
remotely. Directed James Graham was produced in 20 Left, and next: The Magic of Wild Heather (Sam Taylor) ‘I was sceptical at first,’ said Sam, one of the participants. ‘I didn’t have a single story in mind that would instil inspiration or start a conversation. But then it occurred to me that in sharing stories, we are sharing lives and it is th...
When learning online became the new normal, we adapted our programmes to continue enabling young people to explore every aspect of theatre making. Previous: JJ Green as Leo in New Views winning play Perspective by Mackenzie Wellfare (Cameron Slater Photography) Above: Young people enjoying the filmed production of Dick Whittington and completing...
Left: Georgina Onuorah as Alice in Dick Whittington (The Other Richard)
While the challenges of this pandemic are not over, we can now begin to rebuild the National Theatre with a renewed commitment to make world-class theatre for everyone that celebrates the diversity of our nation. Generous support from our audiences and supporters is enabling us to secure the remaining £40m we need to fundraise to deliver our ambiti...
all its complexities, the key story of 2021–22 is one of joy: the National Theatre reopening and gradually returning to normal operation. After more than a year of intermittent closure, the Dorfman and Olivier theatres reopened permanently in June 2021, followed by the Lyttelton in September 2021. West End, touring, community, and in person ...
National Theatre Annual Review. Welcome. Our Year In Numbers. Productions. Excellence. Nationwide. Community. New Work, Talent & Innovation.
The National Theatre is dedicated to making the very best theatre and sharing it with as many people as possible. We stage up to 30 productions at our South Bank home each year, ranging from re-imagined classics – such as Greek tragedy and Shakespeare – to modern masterpieces and new work by contemporary writers and theatre-makers.
Oct 24, 2023 · Review at a glance. Everyone has a story worth hearing. That was the message of writer-director Alexander Zeldin ’s Inequalities trilogy at the National, about the effects of austerity...
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Oct 25, 2023 · In his beautiful new play The Confessions, he traces the contours of an ordinary life — inspired by that of his own mother, whose journey took her from Australia to Oxford and through the turbulent...
