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  1. Allen was introduced to Ken Loach in 1967 by Loach's regular collaborator at the time, producer Tony Garnett, [4] who had produced The Lump. The first of Allen's plays to be directed by Loach was The Big Flame (1969), again for The Wednesday Play series.

  2. en.wikipedia.org › wiki › Ken_LoachKen Loach - Wikipedia

    Kenneth Charles Loach was born on 17 June 1936 in Nuneaton, Warwickshire, the son of Vivien (née Hamlin) and John Loach. [5] Loach attended King Edward VI Grammar School and at the age of 19 went to serve in the Royal Air Force. [6] He read law at St Peter's College, Oxford [7] and graduated with a third-class degree.

  3. Jun 23, 2021 · Ken Loach (Director): It's interesting. I was first drawn to the Irish story through Jim Allen back in the 1970s. I was first drawn to the Irish story through Jim Allen back in the 1970s.

  4. Most of Ken Loach’s work for television has attracted at least some critical writing because of his towering reputation in the cinema. Even so, The Rank and File has generally been overlooked in favour of the first Loach/Allen Wednesday Play collaboration The Big Flame (1969), and both writer and director seem to have mixed feelings about the piece.

    • When was Allen introduced to Ken Loach?1
    • When was Allen introduced to Ken Loach?2
    • When was Allen introduced to Ken Loach?3
    • When was Allen introduced to Ken Loach?4
    • When was Allen introduced to Ken Loach?5
  5. Aug 11, 1999 · He was introduced to the BBC director Ken Loach through Tony Garnett. Loach was part of a team of young directors, working on the BBC drama series, The Wednesday Play .

  6. James Allen (7 October 1926 – 24 June 1999) was an English socialist playwright from Miles Platting, Manchester, Lancashire, best known for his collaborations with Ken Loach. Allen was born in the Miles Platting area of Manchester, Lancashire, on 7 October 1926, the second child of Kitty and Jack Allen, Roman Catholics of Irish descent. At the outbreak of World War II in 1939, Allen left ...

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  8. Loach, as in his earlier work, uses a documentary approach to cover the action, and the rank and file meetings in particular look as if they were lifted directly from contemporary news reports. Ultimately, Allen uses the events of the play to launch an attack on the then recently introduced Industrial Relations Act, which would effectively outlaw any similar forms of industrial action in the ...