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    • 1950s and 1960s

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      nytimes.com

      • It was with the birth of the civil rights movement in the 1950s and 1960s that propelled protest music into the mainstream. Artists like Bob Dylan, Joan Baez, and Nina Simone began using their songs to advocate for racial equality and social justice.
      www.historyskills.com/classroom/year-10/protest-music-reading/
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  2. Oct 30, 2020 · In a year of historic protests, on the eve of a critical election, we’ve been thinking a lot about the place of music in movements for social and political change.

    • Pitchfork
  3. Sep 10, 2023 · One of the first instances of American protest music predates America itself, originating in the 13 Colonies: “Yankee Doodle.” What began as a simple tune soon became one of the most famous songs in the Western world and a hugely recognizable symbol of American patriotism.

  4. How protest music became popular It was with the birth of the civil rights movement in the 1950s and 1960s that propelled protest music into the mainstream. Artists like Bob Dylan, Joan Baez, and Nina Simone began using their songs to advocate for racial equality and social justice.

  5. Apr 12, 2017 · The first American protest songs were crafted for a purpose: to draw people together around a central mission. Grounded in simple verses and refrains, the tunes were often lifted from hymns...

    • Bridgett Henwood
  6. While the early influences on South African popular music were strongly from the West, by the mid1930s, African elements were consciously brought into the music to make a political statement.

  7. 5 days ago · With or without lyrics, whether hyper-contemporary or folk, music has been a driving force of protest and social change for centuries. In some cases, it has also remapped political landscapes and had a role in overturning regimes. Music is popular, and often populist, able to be employed by the people regardless of creed or class.

  8. For a brief moment during the years of the war, millions of young people, and a few oldsters, believed that political music could help make a social revolution, remake a country, and stop a war. As it turned out music did not accomplish these things.

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