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Between 1800 and 1900
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- Between 1800 and 1900, French landscape painting underwent a remarkable transformation from a minor genre rooted in classical traditions to a primary vehicle for artistic experimentation.
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Between 1800 and 1900, French landscape painting underwent a remarkable transformation from a minor genre rooted in classical traditions to a primary vehicle for artistic experimentation.
- Claude Monet
Claude Monet was a key figure in the Impressionist movement...
- Claude Monet
Claude Monet was a key figure in the Impressionist movement that transformed French painting in the second half of the nineteenth century. Throughout his long career, Monet consistently depicted the landscape and leisure activities of Paris and its environs as well as the Normandy coast.
The style of landscape painting flourished around the turn of the 20th century in France. Fauvism and Expressionism were introduced with harsh colors and flat surfaces (Fauvism) and emotionally disturbing forms.
French painters were slower to develop landscape painting, but from about the 1830s Jean-Baptiste-Camille Corot and other painters in the Barbizon School established a French landscape tradition that would become the most influential in Europe for a century, with the Impressionists and Post-Impressionists for the first time making landscape ...
In the late 18th century, Pierre-Henri de Valenciennes changed the tide for landscape painting in France. Like Poussin, he saw landscape painting as worthy of the status of history painting and worked to convince the Academy and his contemporaries.
May 27, 2024 · The Barbizon School originated in the 1830s when a cohort of painters sought inspiration in the Forest of Fontainebleau near Paris. Disenchanted with the Romantic Movement’s emphasis on emotional expression through dramatic landscapes, they inclined toward the honest depiction of rural life.
In early nineteenth-century France, landscape painting was narrowly circumscribed by an aesthetic code upheld by the conservative French Academy. Painters and sculptors were rigorously trained in the Neoclassical tradition to emulate artists of the Renaissance and classical antiquity.
