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Late 15th century
- Originally referring to sacred choral music, the term now refers to secular music as well. The a cappella style arose about the time of the composer Josquin des Prez, in the late 15th century, and reached preeminence with Palestrina in the late 16th century in the music that he wrote for the Sistine Chapel of the Vatican.
www.britannica.com/art/a-cappellaA cappella | Vocal Harmony, Choral Singing & Acapella Groups ...
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The polyphony of Christian (predominantly Catholic) a cappella music began to develop in Europe around the 9th century AD with the practice of organum, reaching its height between the 14th and 16th centuries with compositions by composers in the Franco-Flemish school (such as Guillaume Du Fay, Johannes Ockeghem, and Josquin des Prez). [7] .
The a cappella style arose about the time of the composer Josquin des Prez, in the late 15th century, and reached preeminence with Palestrina in the late 16th century in the music that he wrote for the Sistine Chapel of the Vatican.
- The Editors of Encyclopaedia Britannica
Jul 29, 2021 · In particular, African-American gospel music, itself with origins in work songs used by enslaved people in the 18th and 19th centuries, was often performed A Cappella. As more and more A Cappella groups began to emerge, they gathered a large number of their singers from religious and classical choirs.
Feb 23, 2019 · The definition, history, and evolution of a cappella music. “Cappella” literally means “chapel” in Italian. When the term was first coined, a cappella (sometimes was a phrase that instructed performers to sing “in the manner of the chapel.”. In modern sheet music, it simply means to sing without accompaniment.
Sep 12, 2024 · One of the pivotal figures in the history of a cappella is Josquin des Prez (1450–1521). Often hailed as the founder of a cappella music, des Prez was a major force in the vocal renaissance music of the 15th and 16th centuries.
May 14, 2018 · Though the concertato style with instruments became widespread during the 17th and 18th centuries, the Sistine Choir continued its a cappella tradition, thus furnishing a performance model for the revival of liturgical polyphony in the 19th century (see caecilian movement).
The evolution of a cappella music from early church practices to contemporary performances is significant because it showcases how vocal expression has adapted while maintaining its core emotional power.
