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    • September 1999

      • In August 1999, Goldfrapp signed a recording contract with London-based record label Mute Records. [ 3 ] They recorded their debut album over six months, beginning in September 1999, in a rented bungalow in the Wiltshire countryside. [ 3 ]
      en.wikipedia.org/wiki/Goldfrapp
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  2. en.wikipedia.org › wiki › GoldfrappGoldfrapp - Wikipedia

    Goldfrapp began writing and recording their fourth album, Seventh Tree, at the end of 2006 in Bath, England; released in February 2008, it débuted at number two on the UK Albums Chart. [5] The album is a departure from the pop and electronic-dance music featured on Supernature , and features ambient and downtempo music. [ 9 ]

  3. The pair began recording their debut album over a six-month period, beginning in September 1999, in a rented bungalow in the Wiltshire countryside. [8] The band's debut album Felt Mountain was released in 2000 and featured Goldfrapp's synthesized vocals over cinematic soundscapes. [9] Goldfrapp released their second album Black Cherry in 2003.

  4. Goldfrapp's debut studio album Felt Mountain was released in September 2000. The album reached number 57 on the United Kingdom albums chart and was certified gold by the British Phonographic Industry (BPI).

  5. May 9, 2023 · Recorded in a home studio set up in the pandemic, The Love Invention is a breathless dance-pop album, a 11-song parade lent extra lustre by producers including Röyksopp and Richard X. Goldfrapp...

  6. After spending the 1990s working in the burgeoning UK trip-hop and dance scene (with artists such as Tricky and Orbital), singer Alison Goldfrapp was introduced to experimental composer Will Gregory in 1999 after recording early demos of her own compositions, and they began a long-lasting musical partnership.

  7. Formed in 1999 after being introduced by mutual friends, the two bonded over their disparate and esoteric taste in music (polish disco, spaghetti western soundtracks, British folk, etc.) and...

  8. We had a single old-school mic recording the whole room, there were mics positioned in the room to create the ambience, and we borrowed these lovely '60s [AKG] C12s from Craig Silvey, who mixed the record.

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