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Mid-18th to early 19th centuries
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- Bel canto literally translates to “beautiful singing,” and it was a popular singing style in Italian opera from the mid-18th to early 19th centuries.
www.operasense.com/what-is-bel-canto/
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The popularity of the bel canto style as espoused by Rossini, Donizetti and Bellini faded in Italy during the mid-19th century. It was overtaken by a heavier, more ardent, less embroidered approach to singing that was necessary to perform the innovative works of Giuseppe Verdi (1813–1901) with maximum dramatic impact.
Bel canto, style of operatic singing that originated in Italian singing of polyphonic (multipart) music and Italian courtly solo singing during the late 16th century. Masters of bel canto included soprano Farinelli, tenor Manuel del Popolo Garcia, soprano Maria Malibran, and soprano Jenny Lind.
- The Editors of Encyclopaedia Britannica
- Bel Canto as A Style
- Bel Canto as A Genre
- An Example
- Diva Worship
- Bel Canto Examples
Despite the fact that the term has been thrown around rather loosely, it is possible to pinpoint a few characteristics of bel canto as a singing style. As the name implies, the focus of bel canto is on the music, especially the voice. “Beauty” is the key word when it comes to bel canto. There is plenty of room for rubato (the freedom to slow down a...
There are also identifiable features of bel canto when the term is used as an operatic sub-genre. In bel canto works, much of the drama is expressed only in their gorgeous, supple, mouth-watering arias. The orchestra is often little more than a beautiful accompaniment to one of the greatest instruments of all: the human voice. The stories in these ...
Having discussed the two distinct uses of the term bel canto, I think we’re ready for an example. Listen for some of the characteristics mentioned above in this excerpt from Bellini’s I puritani. You will hear Luciano Pavarotti and Joan Sutherland, two extraordinary singers well-versed in bel canto, in this recording of “A te, o cara”. Did you hear...
“Diva worship” is also deeply associated with bel canto as a sub-genre. While there are rich roles for all types of voices in the repertory, the soprano voice of the leading lady is almost always the most important, so much so that many operagoers believe that a bel canto work shouldn’t be attempted without a particularly strong soprano. Past leadi...
Here is a quick list of some of the great bel cantooperas: 1. Lucia di Lammermoor (Donizetti) Opera Sense recommended recording: 2. Norma (Bellini) Opera Sense recommended recording: 3. Lucrezia Borgia (Donizetti) Opera Sense recommended recording: 4. La Cenerentola (Rossini) Opera Sense recommended recording: 5. L’Elisir d’amore (Donizetti) Opera ...
Apr 26, 2022 · With the castrati being the singers who brought bel canto to its golden age from mid seventeenth century to the eighteenth, comes its florid techniques. Since their chests acquired abnormal dimensions due to castration, they were able to produce their popular technique: messa di voce.
Oct 7, 2024 · The remarkable musical achievements of the classical Viennese style during the late 18th and early 19th centuries threatened to leave Italy, opera’s native home, out of the operatic mainstream. Two accidents of history prevented this.
In this article, I will take a closer look at the link between the castrati and the bel canto tradition reconstructing the key vocal technique of flexibility, which is often referred to in vocal education books published in the eighteenth and nineteenth centuries.
It got more complicated when musicologists started using the same term to describe the kind of smooth, flowing lyrical style that emerged in the late 17th-century operatic works of Carissimi and Cesti, in contrast to the rhythmically free, text-dominated ‘recitative’ style of early opera.
